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The Kingdom of Hungary (Latin: Regnum Hungariae, Hungarian: Magyar Királyság) came into existence in Central Europe when Stephen I, Grand Prince of the Hungarians, was crowned king in 1000 or 1001. He reinforced central authority and forced his subjects to accept Christianity. Although all written sources emphasize only the role played by German and Italian knights and clerics in the process, a significant part of the Hungarian vocabulary for agriculture, religion, and state matters was taken from Slavic languages. Civil wars and pagan uprisings, along with attempts by the Holy Roman emperors to expand their authority over Hungary, jeopardized the new monarchy. The monarchy stabilized during the reigns of Ladislaus I (1077–1095) and Coloman (1095–1116). These rulers occupied Croatia and Dalmatia with the support of a part of the local population. Both realms retained their autonomous position. The successors of Ladislaus and Coloman—especially Béla II (1131–1141), Béla III (1176–1196), Andrew II (1205–1235), and Béla IV (1235–1270)—continued this policy of expansion towards the Balkan Peninsula and the lands east of the Carpathian Mountains, transforming their kingdom into one of the major powers of medieval Europe.
Rich in uncultivated lands, silver, gold, and salt deposits, Hungary became the preferred destination of mainly German, Italian, and French colonists. These immigrants were mostly peasants who settled in villages, but some were craftsmen and merchants, who established most of the cities of the Kingdom. Their arrival played a key role in the shaping of an urban lifestyle, habits, and culture in medieval Hungary. The location of the kingdom at the crossroads of international trade routes favored the coexistence of several cultures. Romanesque, Gothic, and Renaissance buildings and literary works written in Latin prove the predominantly Roman Catholic character of the culture; but Orthodox, and even non-Christian ethnic minority communities also existed. Latin was the language of legislation, administration and the judiciary, but "linguistic pluralism" contributed to the survival of many tongues, including a great variety of Slavic dialects. (Full article...)
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"Yodel It!" is a song recorded by Romanian singers Ilinca and Alex Florea, released on 30 January 2017 by Cat Music. The track was written by Alexandra Niculae and produced by Mihai Alexandru for the Swiss band Timebelle who rejected it. It was then given to Ilinca to record. Florea was chosen as a featured artist as both Alexandru and Ilinca felt her version was incomplete. "Yodel It!" is a mixture of rock, pop and hip hop music, including Ilinca yodeling during the chorus and Florea's rap vocals. The track's optimistic lyrical message was compared to that of Taylor Swift's "Shake It Off" (2014).
"Yodel It!" represented Romania in the 2017 Eurovision Song Contest in Kyiv, Ukraine after winning the pre-selection show Selecția Națională. The country reached seventh place in a field of 26, scoring a total of 282 points. During their show, Ilinca and Florea were accompanied by a variety of colorful imagery displayed in the background. The song received mixed reviews from music critics. While it was praised for its catchiness and appeal, the yodeling sequences were criticized as being atypical of Romanian culture. Some parts of the recording were also likened to the band The Script and will.i.am's song "Hall of Fame" (2012). "Yodel It!" won in the Song of the Year category at the 2017 Radar de Media Awards in Romania. (Full article...)
The inscribed ring remains the subject of considerable academic interest, and a number of theories regarding its origin, the reason for its burial and its date have been proposed. The inscription, which sustained irreparable damage shortly after its discovery, can no longer be read with certainty, and has been subjected to various attempts at reconstruction and interpretation. Recently, however, it has become possible to reconstruct the damaged portion with the aid of rediscovered depictions of the ring in its original state. Taken as a whole, the inscribed ring may offer insight into the nature of the pre-Christian pagan religion of the Goths. (Full article...)
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Duke Ladislaus (left) at the Battle of Kerlés
The Battle of Kerlés (Hungarian: kerlési csata) also known as the Battle of Cserhalom (Hungarian: cserhalmi csata), was an engagement between an army of Pechenegs and Ouzes commanded by Osul and the troops of King Solomon of Hungary and his cousins, Dukes Géza and Ladislaus, in Transylvania in 1068. The Pechenegs had been the dominant power of the westernmost regions of the Eurasian steppes since around 895. However, large Pecheneg groups moved to the Balkan Peninsula at the same time as the westward migration of the Ouzes and Cumans in the 1040s. The first recorded Pecheneg invasion of Transylvania occurred during the reign of Stephen I of Hungary (r. 997–1038).
In 1068, the invaders broke into Transylvania through the passes of the Carpathian Mountains. Archaeological finds suggest that they destroyed at least three fortresses made of earth and timber, including the ones at Doboka (now Dăbâca in Romania) and Sajósárvár (present-day Șirioara). They also made a plundering raid in the Nyírség region, to the west of Transylvania. After taking much booty, they planned to leave Hungary, but the Hungarians ambushed and annihilated them at a hill near Doboka. According to a popular legend, a "Cuman" warrior tried to escape from the battlefield, taking a Hungarian girl, but Duke Ladislaus defeated and killed him in single combat. (Full article...)
, 286,598 inhabitants lived within the city limits (making it the country's second most populous at the time, after the national capital Bucharest). The Cluj-Napoca metropolitan area had a population of 411,379 people, while the population of the peri-urban area (Romanian: zona periurbană) exceeded 420,000 residents. The new metropolitan government of Cluj-Napoca became operational in December 2008. According to a 2007 estimate provided by the County Population Register Service, the city hosts a visible population of students and other non-residents—an average of over 20,000 people each year during 2004–2007. The city spreads out from St. Michael's Church in Unirii Square, built in the 14th century and named after the Archangel Michael, Cluj's patron saint. The boundaries of the municipality contain an area of 179.52 square kilometres (69.31 sq mi). (Full article...)
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Zay, portrait produced for the 50th anniversary of the Adele Zay School 1884–1935, Kronstadt, Romania
Adele Zay (29 February 1848 – 29 December 1928) was a Transylvanian teacher, feminist and pedagogue. Her family were part of the German-speaking community of the Kingdom of Hungary. Because of her father's death during her infancy, Zay's education was interrupted by periods where she taught to earn money in order to continue private and formal studies. In 1880 after studying abroad in Vienna and Gotha, she passed her primary education certification for Germany and Hungary. The following year, she was certified as a secondary teacher, becoming the first Transylvanian woman to have earned a higher education. From 1875 to 1884, she taught at the Institute of Irma Keméndy in Szeged.
After almost a decade in Szeged, Zay accepted a post at a newly established normal school for training kindergarten teachers in Kronstadt (Brassó). Though ostensibly a teacher, from the beginning Zay was the creative force behind the development of the school and designed the syllabus. She led the school from 1884 to 1927, becoming its official director in 1922. Simultaneously with her relocation to Kronstadt, Zay joined the General Women's Association of the Transylvanian Evangelical Church and became one of the leaders in pressing for women's rights. She successfully agitated for kindergarten and handicraft teachers to be recognized as educators and entitled to pensions. She lobbied for the teaching profession to be opened to women, which was accomplished in 1901, and for a women's normal school to be established, which occurred in 1903. (Full article...)
At Michigan, Meskó did not win the starting job as a punter right away. He redshirted his freshman year and won a battle for the kicking duties on the field in 2006. Meskó then went on to excel on the field as a three-time Ray Guy Award watchlist candidate and off the field as a four-time Academic All-Conference selection. He was also recognized for his character and community service by numerous organizations. As a redshirt junior in 2008, Meskó endured the dynamics of a coaching change, became Michigan's all-time leader in punts and punting yardage, and was named to 2008 All-Big Ten first-team. As a fifth-year senior in 2009, he made a number of preseason All-American teams and achieved the highest punting average of his college career at 44.5 yards per punt. Meskó concluded his season as a 2009 All-Big Ten first-team selection by both the coaches and the media. He was also selected as a first-team Academic All-American and as a second-team All-American by several publications. He holds the career and single-season records for punts and punting yards at Michigan. (Full article...)
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"It's My Life" is a song recorded by Romanian singer Cezar, released as part of a CD single in 2013 through the Romanian Television (TVR). It was solely written and produced by Cristian Faur. Musically, the track has been described as an operatic pop and dubstep song, with the latter genre being predominantly present in the track's bridge. A love song, its instrumentation consists of electronic beats, while Cezar prominently uses his "feminine" falsetto register. Reviewers likened his vocal delivery to the works of Scottish singer Jimmy Somerville and Australian musician Nick Cave.
"It's My Life" represented Romania in the 2013 Eurovision Song Contest in Malmö, Sweden after winning the pre-selection show Selecția Națională. The country reached 13th place in a field of 26, scoring a total of 65 points. Cezar's show featured him dressed in a black sequin cloak standing between fluorescent lighting tubes, while dancers who emerged from a red material placed under him performed interpretive dance. The performance was met with mixed reactions and often featured in publications' lists of Eurovision's most outstanding and peculiar performances. The track itself received similar reviews, with critics arguing over its catchiness, originality, composition and dance nature, as well as over Cezar's vocals. (Full article...)
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"Endless" is a song recorded by Romanian singer Inna for her second studio album, I Am the Club Rocker (2011). The song was released on 25 November 2011 as the fourth single from the album. It was written and produced by Play & Win members Sebastian Barac, Radu Bolfea and Marcel Botezan. A flamenco-influenced mid-tempoclub-ballad, "Endless" features an acoustic and Spanish guitar in its instrumentation.
Music critics gave favorable reviews of the track, pointing it out as a highlight on I Am the Club Rocker. At the 2011 Balkan Music Awards, the song won in the Best Song in the Balkans from Romania in 2011 category. To promote "Endless", an accompanying music video was shot by Alex Herron and uploaded onto Inna's YouTube channel on 24 November 2011 to positive response. It was connected to the International Day for the Elimination of Violence against Women, which is observed on 25 November. The singer had also launched a foundation against domestic violence simultaneously with the video's release. She further promoted the recording through various live performances. Commercially, "Endless" reached the top ten in Romania and Slovakia. (Full article...)
Burebista (Ancient Greek: Βυρεβίστας, Βοιρεβίστας) was the king of the Getae and Dacian tribes from 82/61BC to 45/44BC. He was the first king who successfully unified the tribes of the Dacian kingdom, which comprised the area located between the Danube, Tisza, and Dniester rivers, and modern day Romania and Moldova. In the 7th and 6thcenturies BC it became home to the Thracian peoples, including the Getae and the Dacians. From the 4thcentury to the middle of the 2ndcentury BC the Dacian peoples were influenced by La Tène Celts who brought new technologies with them into Dacia. Sometime in the 2ndcentury BC, the Dacians expelled the Celts from their lands. Dacians often warred with neighbouring tribes, but the relative isolation of the Dacian peoples in the Carpathian Mountains allowed them to survive and even to thrive. By the 1stcentury BC the Dacians had become the dominant power.
From 61 BC onwards Burebista pursued a series of conquests that expanded the Dacian kingdom. The tribes of the Boii and Taurisci were destroyed early in his campaigns, followed by the conquest of the Bastarnae and probably the Scordisci peoples. He led raids throughout Thrace, Macedonia, and Illyria. From 55BC the Greek cities on the west coast of the Black Sea were conquered one after another. These campaigns inevitably culminated in conflict with Rome in 48BC, at which point Burebista gave his support to Pompey. This in turn made him an enemy to Caesar, who decided to start a campaign against Dacia. This plan fell through in 44BC when Caesar was assassinated. Burebista himself was assassinated in a plot by the Dacian aristocracy at around the same time. (Full article...)
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Anonymous sketch of Bogdan-Pitești, 1917 (signed Correggio)
Alexandru Bogdan-Pitești (Romanian pronunciation:[alekˈsandruboɡˈdanpiˈteʃtʲ]; born Alexandru Bogdan, also known as Ion Doican, Ion Duican and Al. Dodan; June 13, 1870 – May 12, 1922) was a RomanianSymbolist poet, essayist, and art and literary critic, who was also known as a journalist and left-wing political agitator. A wealthy landowner, he invested his fortune in patronage and art collecting, becoming one of the main local promoters of modern art, and a sponsor of the Romanian Symbolist movement. Together with other Post-Impressionist and Symbolist cultural figures, Bogdan-Pitești established Societatea Ileana, which was one of the first Romanian associations dedicated to promoting the avant-garde and independent art. He was also noted for his friendship with the writers Joris-Karl Huysmans, Alexandru Macedonski, Tudor Arghezi and Mateiu Caragiale, as well as for sponsoring, among others, the painters Ștefan Luchian, Constantin Artachino and Nicolae Vermont. In addition to his literary and political activities, Alexandru Bogdan-Pitești was himself a painter and graphic artist.
Much of Bogdan-Pitești's controversial political career, inaugurated by his support for anarchism, was dedicated to activism and support for revolution. He also had an interest in the occult, and maintained close contacts with Joséphin "Sâr" Péladan—sponsoring Péladan's journey to Bucharest (1898). He was detained by the authorities at various intervals, including an arrest for sedition during the 1899 election, and was later found guilty of having blackmailed the banker Aristide Blank. Late in his life, he led Seara, a Germanophile daily, as well as a literary and political circle which came to oppose Romania's entry into World War I on the Entente Powers' side. He was arrested one final time upon the end of the war, by which time he had become the object of public hatred. The enduring mysteries and contradictions of Bogdan-Pitești's career have since drawn interest from several generations of art and literary historians. (Full article...)
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Romania participated in the Eurovision Song Contest 2006 in Athens, Greece. They selected their entry, "Tornerò" (meaning: "I Will Return"), by Romanian singer Mihai Trăistariu through the national selection competition Selecția Națională 2006 in February 2006. Controversy surrounded the event, as seventh-placed duo Indiggo accused the organising broadcaster, Romanian Television (TVR), of vote rigging. Prior to the 2006 contest, Romania had participated in the Eurovision Song Contest eight times since its first entry in 1994. Its highest placing in the contest had been third place, which the nation achieved in 2005.
Prior to Eurovision, "Tornerò" was promoted by a music video, live performances, radio submissions and fellow endeavours in several countries. Romania ultimately reached fourth place in the contest's final on 20 May, achieving 172 points. This remained the country's highest score until 2017. During Romania's show, Trăistariu was accompanied by dance group Big Bounce who performed a mixture of ballet and contemporary dance onstage. Following Eurovision, "Tornerò" achieved commercial success, reaching the top ten in Finland and Greece. (Full article...)
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"Verde împărat" (Romanian: Green Emperor) is a song recorded by Romanian singer Delia. It was digitally released on 23 October 2017 through Cat Music as a single from her fifth studio album 7 (2020). The track was written and composed by the singer herself, along with additional production from Alex Cotoi. "Verde împărat" is a liquid dubstep and chillout song, with instrumentation from flute, bass and percussion. Its lyrics revolve around Delia's relationship with her partner, who she compares to a "green emperor", along with various nature references.
The song was met with positive reviews from music critics, who thought that it expanded her artistry and praised her vocal performance. An accompanying music video for the track was shot by Alex Ceauşu in early October 2017, and uploaded onto Cat Music's official YouTube channel simultaneously with the single's release. The clip received similar acclaim for its showcase of nature and wilderness. It portrays the singer in a forest, wearing multiple nature-inspired outfits. For further promotion, Delia performed "Verde împărat" for Romanian radio station Radio ZU and during her 2017 concert tour Psihedelia at Sala Palatului. (Full article...)
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An Unforgettable Summer (French: Un été inoubliable; Romanian: O vară de neuitat) is a 1994 drama film directed and produced by Lucian Pintilie. A Romanian-French co-production based on a chapter from a novel by Petru Dumitriu, it stars Kristin Scott Thomas as Hungarian-born aristocrat Marie-Thérèse Von Debretsy. Her marriage with Romanian Land Forces captain Petre Dumitriu brings her to Southern Dobruja (present-day northeastern Bulgaria), where they settle in 1925. There, she witnesses first-hand the violent clashes between, on one hand, the Greater Romanian administration, and, on the other, komitadji brigands of Macedonian origin and ethnic Bulgarian locals. The film shows her failed attempt to rescue Bulgarians held hostage by the Romanian soldiers, and who are destined for execution. An Unforgettable Summer also stars Claudiu Bleonț as Captain Dumitriu and Marcel Iureș as Ipsilanti, a general whose unsuccessful attempt to seduce Von Debretsy and the resulting grudge he holds against the couple account for Dumitriu's reassignment.
Completed in the context of the Yugoslav wars, the film constitutes an investigation into the consequences of xenophobia and state-sanctioned repression, as well as an indictment of a failure in reaching out. It is thus often described as a verdict on the history of Romania, as well as on problems facing the Balkans at large, and occasionally described as a warning that violence could also erupt in a purely Romanian context. (Full article...)
After the start of World War II, Gheorghe Tătărescu initiated a move to rally political forces in opposition to Ion Antonescu's dictatorship, and sought an alliance with the Romanian Communist Party (PCR). He was twice expelled from the PNL, in 1938 and 1944, creating instead his own group, the National Liberal Party-Tătărescu, and representing it inside the communist-endorsed Petru Groza cabinet. In 1946-1947, he was also the President of the Romanian Delegation to the Peace Conference in Paris. Then, relations between Tătărescu and the PCR began to sour, and he was replaced from the leadership of both his own party and the Foreign Ministry when his name was implicated in the Tămădău Affair. Following the Communist takeover, he was arrested and held as a political prisoner while being called to testify in the trial of Lucrețiu Pătrășcanu. He died soon after his release from prison. (Full article...)
The colors of the national flag of Romania (Romanian: Drapelul României) has a long history, though the association of the three colors only dates to the 18th century. Red, yellow and blue were found on late 16th-century royal grants of Michael the Brave, as well as shields and banners. Thus, the late 13th century Wijnbergenarmorial shows the coat of arms of the Wallachian ruler Litovoi as consisting of a shield of ten vertically alternating gold-and-red bands,. The same two colors, gules and or, also appeared on the late 15th century flag and coat of arms of Moldavia, during the reign of Stephen the Great. Then, from the late 16th century until the mid-17th century, the historical coat of arms of Transylvania gradually developed as a shield party per fess, consisting of a black eagle on blue background in the upper field, a dividing red band in the middle, and seven red towers on golden background in the lower field. Finally, in the last quarter of the 18th century, Bukovina gets its own coat of arms from the Habsburg Empire, a blue-and-red shield party per pale with a black aurochs' head in the middle, and three golden six-pointed stars surrounding it. During the Wallachian uprising of 1821, these three colors were present, along others, on the canvas of the revolutionaries' flag and its fringes; for the first time a meaning was attributed to them: "Liberty (blue-sky), Justice (yellow field), Fraternity ( blood)". (Full article...)
Paula Monica Mitrache (born 14 June 1971), known by the stage name Haiducii (Romanian pronunciation:[hajˈdutʃij]), is a Romanian-Italian singer, model and actress. She released her single "Dragostea din tei" in 2004, a cover of O-Zone's homonymous single of the previous year. Commercially, "Dragostea din tei" reached widespread commercial success, reaching number 1 in Austria, Italy, Portugal and Sweden, as well as the top ten in eight other countries. It was also certified Gold and Platinum in several territories. In late 2004, Haiducii released "Mne s Toboy Horosho" and, in late 2005, "More 'N' More (I Love You)", her last singles that managed to hit the chart, reaching numbers 5 and 8 in Italy, respectively. Paula Mitrache in Haiducii, the singer's debut studio album, followed in 2008, which includes these first hit songs. (Full article...)
... that in 1906, composer Robert Winterberg gave a concert for the queen of Romania?
... that following the ban of its labour unions in 1934, the Romanian United Socialist Party would rely on its youth and women's wings for political action?
... that Dimitrie Ralet, a pioneer Romanian orientalist, commended Ottoman reformers for not "blindly adopting what we in Europe take to mean civilization"?
...that Romania's Palace of Parliament, despite the building process not being completely finished, is the biggest building in Europe and the second-largest building in the world?
Image 8Bran Castle (German: Törzburg, Hungarian: Törcsvár) built in 1212, is commonly known as Dracula's Castle and is situated in the centre of present-day Romania. In addition to its unique architecture, the castle is famous because of persistent myths that it was once the home of Vlad III Dracula. (from History of Romania)
Image 10The Principalities of Moldavia and Wallachia in 1786, Italian map by G. Pittori, since the geographer Giovanni Antonio Rizzi Zannoni (from History of Romania)
Image 11Romania after the territorial losses of 1940. The recovery of Bessarabia and Northern Bukovina was the catalyst for Romania's entry into the war on Germany's side. (from History of Romania)
Image 191941 stamp depicting a Romanian and a German soldier in reference to the two countries' common participation in Operation Barbarossa. The text below reads the holy war against Bolshevism. (from History of Romania)
Image 48Romania has seen its largest waves of protests against judicial reform ordinances of the PSD-ALDE coalition during the 2017–2019 Romanian protests. (from History of Romania)
Image 59The comprehensive map detailing the approximate lands inhabited by the Getae according to Strabo's accounts (from History of Romania)
Image 60Lieutenant Emil Rebreanu was awarded the Medal for Bravery in gold, the highest military award given by the Austrian command to an ethnic Romanian; he would later be hanged for desertion while trying to escape to Romania. (from History of Romania)
Image 82Ethnic map of Greater Romania according to the 1930 census. Sizeable ethnic minorities put Romania at odds with Hungary, Bulgaria, and the Soviet Union throughout the interwar period. (from History of Romania)
Image 83A 19th century depiction of Dacian women (from History of Romania)
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