Portal:Feminism

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The Feminism Portal

International Women's Day, Bangladesh (2005)

Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism holds the position that societies prioritize the male point of view and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women.

Originating in late 18th-century Europe, feminist movements have campaigned and continue to campaign for women's rights, including the right to vote, run for public office, work, earn equal pay, own property, receive education, enter into contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contraception, legal abortions, and social integration; and to protect women and girls from sexual assault, sexual harassment, and domestic violence. Changes in female dress standards and acceptable physical activities for women have also been part of feminist movements.

Many scholars consider feminist campaigns to be a main force behind major historical societal changes for women's rights, particularly in the West, where they are near-universally credited with achieving women's suffrage, gender-neutral language, reproductive rights for women (including access to contraceptives and abortion), and the right to enter into contracts and own property. Although feminist advocacy is, and has been, mainly focused on women's rights, some argue for the inclusion of men's liberation within its aims, because they believe that men are also harmed by traditional gender roles. Feminist theory, which emerged from feminist movements, aims to understand the nature of gender inequality by examining women's social roles and lived experiences. Feminist theorists have developed theories in a variety of disciplines in order to respond to issues concerning gender.

Numerous feminist movements and ideologies have developed over the years, representing different viewpoints and political aims. Traditionally, since the 19th century, first-wave liberal feminism, which sought political and legal equality through reforms within a liberal democratic framework, was contrasted with labour-based proletarian women's movements that over time developed into socialist and Marxist feminism based on class struggle theory. Since the 1960s, both of these traditions are also contrasted with the radical feminism that arose from the radical wing of second-wave feminism and that calls for a radical reordering of society to eliminate patriarchy. Liberal, socialist, and radical feminism are sometimes referred to as the "Big Three" schools of feminist thought.

Since the late 20th century, many newer forms of feminism have emerged. Some forms, such as white feminism and gender-critical feminism, have been criticized as taking into account only white, middle class, college-educated, heterosexual, or cisgender perspectives. These criticisms have led to the creation of ethnically specific or multicultural forms of feminism, such as black feminism and intersectional feminism. Some have argued that feminism often promotes misandry and the elevation of women's interests above men's, and criticize radical feminist positions as harmful to both men and women. (Full article...)

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Madlax originally aired on TV Tokyo
Madlax is a 26-episode Japanese anime television series produced in 2004 by the Bee Train animation studio. Kōichi Mashimo directed Madlax and the soundtrack was composed by Yuki Kajiura. The DVD version was released by ADV Films in North America and the United Kingdom and by Madman Entertainment in Australia and New Zealand. The story revolves around two young women who seemingly have little in common and do not know of the other's existence at the beginning, and later join forces to investigate a powerful crime syndicate. Madlax was produced as a spiritual successor to the studio's earlier project, Noir, and together with El Cazador de la Bruja, these series constitute a trilogy exploring the "girls-with-guns" genre. The production of Madlax began in 2002 but it wasn’t until Yōsuke Kuroda joined the project that the series took its final form. While the critics noted the resulting similarities between Noir and Madlax, they also acknowledged the differences, such as the latter's less episodic and more plot-driven style and, in particular contrast to the predominantly realistic Noir, incorporation of many supernatural elements, which the audience must often interpret without further explanation.

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"Migrant Mother" by Dorothea Lange
"Migrant Mother" by Dorothea Lange
Credit: Dorothea Lange

Migrant Mother, Dorothea Lange's 1936 photograph of Florence Owens Thompson and her daughters in Nipomo, California, became the most famous image of the Great Depression in the United States. It is one of the classic photographs of the 20th century, and is now an icon of resilience in the face of adversity. In the 1930s, the FSA employed several photographers to document the effects of the Great Depression on the population of America. Many of the photographs can also be seen as propaganda images to support the U.S. government's policy distributing support to the worst affected, poorer areas of the country.

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Charlotte Perkins Gilman

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bell books
Feminist politics aims to end domination, to free us to be who we are - to live lives where we love justice, where we can live in peace. Feminism is for everybody.

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Diane Keaton
Diane Keaton is an American film producer, director, and actor. Keaton began her career as a stage actor, and made her screen debut in 1970. Keaton's first major film role was as Kay Adams in The Godfather (1972), but the films that shaped her early career were those with director and co-star Woody Allen. Her films with Allen such as Sleeper (1973), Love and Death (1975), and her Academy Award-winning performance in Annie Hall established her as a comic actor. Keaton has claimed that she is "tailor-made for comedy". Keaton ceased collaborating with Allen in 1979, and took on new roles to avoid becoming typecast as her Annie Hall persona. She became an accomplished dramatic actor, starting with Looking for Mr. Goodbar (1977) and received Academy Award nominations for Reds (1981) and Marvin's Room (1996). Some of her popular recent films include Father of the Bride (1991), The First Wives Club (1996), and Something's Gotta Give (2003). Keaton's films have earned a cumulative gross of over $1.1 billion USD in North America.

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Francesca Caccini

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