Portal:20th Century Studios

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Entrance to the studio lot of 20th Century Studios in Century City, California

20th Century Studios, Inc. is an American film studio owned by the Walt Disney Studios, a division of Disney Entertainment, in turn a division of The Walt Disney Company. It is headquartered at the Fox Studio Lot in the Century City area of Los Angeles, leased from Fox Corporation. Walt Disney Studios Motion Pictures distributes and markets the films produced by 20th Century Studios in theatrical markets.

For over 80 years, 20th Century was one of the major American film studios. It was formed in 1935 as Twentieth Century-Fox Film Corporation by the merger of Fox Film and Twentieth Century Pictures, and one of the original "Big Five" among eight majors of Hollywood's Golden Age. In 1985, the studio removed the hyphen in the name (becoming Twentieth Century Fox Film Corporation) after being acquired by Rupert Murdoch's News Corporation, which was renamed 21st Century Fox in 2013 after it spun-off its publishing assets. Disney purchased most of 21st Century Fox's assets, which included 20th Century Fox, on March 20, 2019. The studio adopted its current name as a trade name on January 17, 2020, in order to avoid confusion with Fox Corporation, and subsequently started to use it for the copyright of 20th Century and Searchlight Pictures productions on December 4.

The most commercially successful film series from 20th Century Studios include the first six Star Wars films, X-Men, Ice Age, Avatar, and Planet of the Apes. Additionally, the studio's library includes many individual films such as Titanic and The Sound of Music, both of which won the Academy Award for Best Picture and became the highest-grossing films of all time during their initial releases. (Full article...)

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Jingle All the Way is a 1996 American Christmas family comedy film directed by Brian Levant. It stars Arnold Schwarzenegger and Sinbad as two rival fathers, mattress salesman Howard Langston (Schwarzenegger) and postal worker Myron Larabee (Sinbad), both desperately trying to purchase a Turbo-Man action figure for their respective sons on a last-minute shopping spree on Christmas Eve. The film's title is borrowed from the lyrics of the popular Christmas song "Jingle Bells".

Inspired by real-life Christmas toy sell-outs for such items as Cabbage Patch Kids, the film was written by Randy Kornfield. Producer Chris Columbus rewrote the script, adding in elements of satire about the commercialization of Christmas, and the project was picked up by 20th Century Fox. Delays to Fox's reboot of Planet of the Apes allowed Schwarzenegger to come on board the film, while Columbus opted to cast Sinbad instead of Joe Pesci as Myron. Jingle All the Way was set and filmed in the Twin Cities of Minneapolis and Saint Paul at a variety of locations, including the Mall of America. After five weeks filming, production moved to California where scenes such as the end parade were shot. The film's swift production meant merchandising was limited to a replica of the Turbo-Man action figure used in the film.

Upon release, Jingle All the Way grossed $129 million worldwide and received generally negative reviews from critics. In 2001, Fox was ordered to pay $19 million to Murray Hill Publishing for stealing the idea for the film; the verdict was overturned three years later. Jingle All the Way is the third and final collaboration between Sinbad and Phil Hartman after Coneheads (1993) and Houseguest (1995), and the last film featuring Hartman to be released during his lifetime before his death in 1998. In 2014, the film was followed by a sequel, Jingle All the Way 2, starring Larry the Cable Guy.

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Credit: Harris & Ewing

Film prexy defends practice of "block booking." Washington, D.C., April 6. Sidney R. Kent, President of the 20th Century Fox Film Corp., testifying before the Senate Interstate Commerce Subcommittee today, defended block booking of Motion Pictures as legitimate and traditional business practices. The producers right to sell their merchandise in their own way, Kent said, is sacred so long as they are "In free and open competition."

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Dame Elizabeth Rosemond Taylor DBE (February 27, 1932 – March 23, 2011) was a British-American actress. She began her career as a child actress in the early 1940s and was one of the most popular stars of classical Hollywood cinemain the 1950s. She then became the highest paid movie star in the 1960s, remaining a well-known public figure for the rest of her life. In 1999, the American Film Institute named her the seventh-greatest female screen legend of Classic Hollywood cinema. Born in London to socially prominent American parents, Taylor moved with her family to Los Angeles in 1939. She made her acting debut with a minor role in the Universal Pictures film There's One Born Every Minute (1942), but the studio ended her contract after a year. She was then signed by Metro-Goldwyn-Mayerand became a popular teen star after appearing in National Velvet (1944). She transitioned to mature roles in the 1950s, when she starred in the comedy Father of the Bride (1950) and received critical acclaim for her performance in the drama A Place in the Sun (1951).

Despite being one of MGM's most bankable stars, Taylor wished to end her career in the early 1950s. She resented the studio's control and disliked many of the films to which she was assigned. She began receiving more enjoyable roles in the mid-1950s, beginning with the epic drama Giant (1956), and starred in several critically and commercially successful films in the following years. Taylor won a Golden Globe for Best Actress for the latter. Although she disliked her role as a call girl in BUtterfield 8 (1960), her last film for MGM, she won the Academy Award for Best Actress for her performance.During the production of the film Cleopatra in 1961, Taylor and co-star Richard Burton began an extramarital affair, which caused a scandal. Despite public disapproval, they continued their relationship and were married in 1964. Dubbed "Liz and Dick" by the media, they starred in 11 films together, including The V.I.P.s (1963), The Sandpiper (1965), The Taming of the Shrew (1967), and Who's Afraid of Virginia Woolf? (1966). Taylor received the best reviews of her career for Woolf, winning her second Academy Award and several other awards for her performance.

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