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The '''Picts''' were a confederation of tribes in northern [[Great Britain|Britain]] from the [[3rd century]] to the [[11th century]]. They lived in [[Scotland]], to the north of the [[River Forth|Forth]] and [[River Clyde|Clyde]]. They were the descendants of the [[Caledonii]] and other tribes named by Roman historians or found on the map of [[Ptolemy]]. Pictland, also known as ''Pictavia'', became the kingdom of [[Alba]] during the [[10th century]] and the Picts became the ''Albannach'' or Scots
[[Image:Pictish stone strathpeffer eagle.jpg|thumb|The Pictish [[Strathpeffer]] [[eagle]] stone, [[Highland]], [[Scotland]].]]
The term '''Picts''' refers to the tribes that [[Classical antiquity|Mediterranean classical-era]] writers placed in [[Caledonia]], which itself comprises the part of present-day [[Scotland]] north of the [[River Forth]] and the area around [[Stirling]], which was then the territory of the [[Votadini]], and the [[Dumbartonshire]] area north of the [[River Clyde|Clyde]] which was [[Damnonii]] territory and later became part of the [[Kingdom of Strathclyde]].


''Pict'' first appears in a [[panegyric]] written by [[Eumenius]] in AD 297. Although ''Picti'' is usually taken to mean ''painted'' or ''tattooed'' in [[Latin]], the term may have a Celtic origin. <!-- e.g. the Pictones of the Loire valley --> The [[Goidelic]] Celts called the Picts ''[[Cruithne (people)|cruithne]]'' (e.g. [[Old Irish]] ''cru(i)then-túath'', from [[Proto-Celtic language|Proto-Celtic]] *''k<sup>w</sup>riteno-toutā'') and the [[Brythonic]] Celts knew them as ''prydyn'', or the more modern ''pryd''.
[[Image:Pictish stone strathpeffer eagle.jpg|thumb|The Pictish [[Strathpeffer]] [[eagle]] stone, [[Highland]], [[Scotland]].]]The name which the Picts called themselves is unknown. The [[Latin]] word ''Picti'' is taken to mean ''painted'' or ''tattooed'' people.<ref>''Pict'' first appears in a [[panegyric]] written by [[Eumenius]] in AD 297. Although ''Picti'' is usually taken to mean ''painted'' or ''tattooed'' in [[Latin]], the term may have a Celtic origin, e.g. the [[Pictones]] of the [[Loire]].</ref> The [[Gaels]] of [[Ireland]] and [[Dalriada|Dál Riada]] called the Picts ''[[Cruithne (people)|cruithne]]'', (e.g. [[Old Irish]] ''cru(i)then-túath'').<ref>Presumably from [[Proto-Celtic language|Proto-Celtic]] *''k<sup>w</sup>riteno-toutā''.</ref> There were also ''cruithne'' in [[Ulster]], in particlar the kings of ''Dál nAriadi''.<ref>The ''cruithni'' are discussed by Byrne, ''Irish Kings and High-Kings'', pp. 106&ndash;109, Ó Cróinín, ''Early Medieval Ireland'', pp. 48&ndash;50.</ref> The [[Brython|Britons]] and early [[Welsh]] of the south knew them as ''prydyn'', or the more modern ''pryd''; Britain and Briton come from the the same root.<ref>Welsh name ref wanting, someone must know what it means. Designs ?</ref> Their [[Old English language|Old English]] name gave the modern [[Scots language|Scots]] form ''Pechts''.<ref>e.g. The [[Anglo-Saxon Chronicle]] gives ''pihtas'' and ''pehtas''.</ref>


Archaeology gives an impression of the society of the Picts. Although very little in the way of Pictish writing has survived, Pictish history, from the late [[6th century]] onwards, is known from a variety of sources, including Saints' lives, such as that of [[Columba]] by [[Adomnán]], and various [[Irish annals]]. Although the popular impression of the Picts may be one of an obscure, mysterious people, this is far from being the case. When compared with the generality of [[Northern Europe|Northern]], [[Central Europe|Central]] and [[Eastern Europe]] in [[Late Antiquity]] and the [[Early Middle Ages]], Pictish history and society are well attested.<ref>Sources for Pictish history include [[Irish Annals]] - the [[Annals of Ulster]], [[Annals of Tigernach|Tigernach]], [[Annals of Innisfallen|Innisfallen]], [[Annals of the Four Masters|Ireland (the Four Masters)]], and [[Annals of Clonmacnoise|Clonmacnoise]] all report events in Scotland, some frequently; the ''Lebor Bretnach'', Scottish recension of the ''[[Historia Britonum]]'' of [[Nennius]]; the history and continuatation of [[Bede]]; the ''Historia Regum Anglorum'' of [[Symeon of Durham]]; the [[Annales Cambriae]]; Saints' lives; and others.</ref>
==History==
Many archaeological remains in the form of buildings and jewelry have survived to give an impression of the society of the Picts, but little in the way of writing has survived. Pictish society seems to have comprised a number of small kingdoms which occasionally clashed. According to the [[Historia ecclesiastica gentis Anglorum]], the hitorical writings of the early 8th century Northumbrian monk [[Bede]] (Baeda), the Picts arrived in Scotland as a Celtic migratory wave from [[Scythia]], but Bede's sources are not recorded and stone-age remains disprove Bede's assertion that the land had been vacant.


==Society==
Pictland, or Pictavia, comprised all of modern Scotland north of the [[River Forth|Forth]] and [[River Clyde|Clyde]] except for [[Dalriada]] which included [[Argyll]] and other western areas, the territory of the [[Kingdom of Strathclyde]] which included modern [[Dunbartonshire]] and apparently extended as far as [[Arrochar]], and the Manaw [[Gododdin]] territory around [[Stirling]]. It appears that two over-kingdoms existed: one north of the [[Mounth]] with its core in [[Morayshire|Moray]], the other to the south with the capital at [[Forteviot]]. Irish sources recorded that seven ancient Pictish kingdoms existed:<!-- Dauvit Brown's paper in Cowan & McDonald (eds) ''Alba'' is sceptical overall and offers alternative location for Circinn -->


The archaeological record speaks to the [[material culture]] of the Picts. It tells of a society not readily distinguishable from its similar Gaelic and British neighbours, nor very different from the [[Anglo-Saxons]] to the south.<ref>See, e.g. Campbell, ''Saints and Sea-kings'' for the Gaels of Dál Riada, Lowe, ''Angels, Fools and Tyrants'' for Britons and Anglians.</ref> Although analogy and knowledge of other "Celtic" societies may be a useful guide, these extended across a very large area. Relying on knowledge of pre-Roman [[Gaul]], or 13th century Ireland, as a guide to the Picts of the 6th century may be misleading if analogy is pursued too far.<ref>Celtic is a word with many meanings, and may itself be unhelpful if overused.</ref>
* Cait &mdash; situated in modern [[Caithness]] and [[Sutherland]]


As with most peoples in the north of Europe in [[Late Antiquity]], the Picts were farmers living in small communities. Cattle and horses were an obvious sign wealth and prestige, sheep and pigs were kept in large numbers. Place names suggest that [[transhumance]] was common. Their crops included [[wheat]], [[barley]], [[oats]] and [[rye]], [[kale]], [[cabbage]], [[turnips]] and [[spinach]], [[peas]] and [[beans]]. The pastoral economy meant that hides and leather were readily available. [[Wool]] was the main source of fibres for clothing, and [[flax]] was also common, although it is not clear if it was grown for fibres, for oil, or as a foodstuff. Along the coasts and rivers, fish, shellfish, seals and even whales were exploited. The importance of domesticated animals argues that milk products were an major part of the diet of ordinary people, while the élite would have eaten a diet rich in meat from farming and hunting.<ref>Foster, ''Picts, Gaels and Scots'', pp. 49&ndash;61.</ref>
* Ce &mdash; situated in modern [[Mar]] and [[Buchan]]


No Pictish counterparts to the areas of denser settlement around important fortresses, in [[Gaul]] and southern Britain, or any other significant urban settlements, are known. Larger, but not large, settlements existed around royal forts, such as at [[Burghead]], or associated with religious foundations.<ref>The interior of the fort at Burghead was some 12 acres (5 hectares) in size, see Driscoll, "Burghead"; for ''Verlamion'' (later Roman ''[[Verulamium]]''), a southern British settlement on a very much larger scale, see e.g. Pryor, ''Britain AD'', pp. 64&ndash;70.</ref> No towns are known in Scotland until the [[12th century]].<ref>Dennison, "Urban settlement: medieval".</ref>
* Circinn &mdash; perhaps situated in modern [[Angus]] and [[the Mearns]] <!-- After Brown this would be in the area of Stirling -->


The technology of everyday life is not well recorded, but archaelogical evidence shows it to have been similar to that in Ireland and Anglo-Saxon England. Recently evidence has been found of [[watermill]]s in Pictland. [[Kilns]] were used for drying corn, not otherwise easy in the changeable, temperate climate.<ref>Foster, ''Picts, Gaels and Scots'', pp. 52&ndash;53.</ref>
* Fib &mdash; situated in the modern [[Fife]] and [[Kinross]] (Fife remains known to this day as 'the Kingdom of Fife') One remnant is found in [[Glenrothes]] in [[Fife]] called [[Pitcairn house]] by the community.


The early Picts are associated with piracy and raiding along the coasts of [[Roman Britain]]. Even in the [[Late Middle Ages]], the line between traders and pirates was unclear, so that Pictish pirates were probably merchants on other occasions. It is generally assumed that trade collapsed with the Roman Empire, but this is to overstate the case. There is only limited evidence of long-distance trade with Pictland, but tableware and storage vessels from Gaul, probably transported up the [[Irish Sea]], have been found. This trade may have been controlled from [[Dunadd]] in Dál Riada, where such goods appear to have been common. While long-distance travel was unusual in Pictish times, it was far from unknown as stories of missionaries, travelling clerics and exiles show.<ref>Trade, see Foster, ''Picts, Gaels and Scots'', pp. 65&ndash;68; seafaring in general, e.g. Haywood, ''Dark Age Naval Power'', Rodger, ''Safeguard of the Sea''.</ref>
* Fidach &mdash; location unknown, perhaps [[Strathearn]]


[[Image:Celtic harp dsc05425.jpg|thumb|left|100px|The [[harp]] was associated with medieval Scottish culture. This one, now in the [[Museum of Scotland]], is one of only three surviving medieval Gaelic harps.]][[Image:Loch Tay Crannog.jpg|thumb|right|100px|Reconstructed crannog on Loch Tay]][[Brochs]] are popularly associated with the Picts. Although these were built earlier in the [[Iron Age]], with construction ending around [[100]] AD, they remained in use into and beyond the Pictish period.<ref>Armit, ''Towers In The North'', chapter 7.</ref><!--Thanks to [[User:Lianachan|Lianachan]] for helping out with this ! --> [[Crannogs]], which may originate in [[Neolithic]] Scotland, may have been rebuilt, and some were still in use in the time of the Picts.<ref>Crone, "Crannogs and Chronologies", PSAS, vol. 123, pp. 245&ndash;254.</ref> The most common sort of buildings would have been [[Roundhouse (dwelling)|roundhouses]] and rectangular timbered halls.<ref>Foster, ''Picts, Gaels and Scots'', pp. 52&ndash;61.</ref> While many churches were built in wood, from the early [[8th century]], if not earlier, some were built in stone.<ref>See Broun, "Nechtan mac Der Ilei", Foster, ''Picts, Gaels and Scots'', p. 89.</ref>
* Fotla &mdash; situated in modern [[Atholl]] and [[Gowrie]]


The Picts are often said to have tattooed themselves, but evidence for this is limited. See [[#Legends of the "Painted People"|Legends of the "Painted People"]] below. Naturalistic depictions of Pictish nobles, hunters and warriors, male and female, without obvious tattoos, are found on [[Pictish stones|monumental stones]]. These stones include inscriptions in Latin and [[Ogham]] script, not all of which have been deciphered. The well known Pictish symbols found on stones, and elsewhere, are obscure in meaning. A variety of esoteric explanations have been offered, but the simplest conclusion may be that these symbols represent the names of those who had raised, or are commemorated on the stones. Pictish arts can be classed as [[Celtic Art|Celtic]], and later as [[Migration Period art#Hiberno-Saxon art|Hiberno-Saxon]]. [[Harp]]s are shown on Pictish scenes, indeed the harp proper, as opposed to the [[lyre]] may have originated in Scotland. Irish poets portrayed their Pictish counterparts as very much like themselves.<ref>For art in general see Foster, ''Picts, Gaels and Scots'', pp. 26&ndash;28, Laing & Laing, p. 89ff., Ritchie, "Picto-Celtic Culture"; Irish poets' view, see Forsyth, "Evidence of a lost Pictish Source", pp. 27&ndash;28.</ref>
* [[Fortriu]] &mdash; cognate with the ''Verturiones'' of the Romans; recently argued to be centered around Moray.


==Religion==
However, good archaeological evidence and some written evidence suggest that a Pictish kingdom also existed in [[Orkney]].


[[Image:Eyam Celtic Cross.jpg|right|thumb|A Celtic cross from [[Eyam]] ([[Mercia]])]] Early Pictish religion is presumed to have resembled [[Celtic polytheism]] in general. The date at which Pictish kings converted to [[Christianity]] is uncertain, but there are traditions which place Saint [[Palladius]] in Pictland after leaving [[Ireland]], and link [[Abernethy]] with Saints [[Brigid of Ireland|Brigid]] and [[Saint Darlugdach|Darlugdach]] of [[Kildare]].<ref>Clancy, "'Nennian recension'", pp. 95&ndash;96, Smyth, ''Warlords and Holy Men'', pp. 82&ndash;83.</ref> [[Saint Patrick]] refers to "apostate Picts", while the [[Y Gododdin]] does not remark on the Picts as pagans.<ref>Markus, "Conversion to Christianity".</ref> Conversion of the Pictish élite seems likely to have run over a considerable period, beginning in the 5th century and not complete until the 7th. Recent archaelogical work at [[Portmahomack]] places the foundation of the [[monastery]] there, an area once assumed to be among the last converted, in the late 6th century.<ref>Mentioned by Foster, but more information is available from the Tarbat Discovery Programme: see under External links.</ref> This is contemporary with [[Bridei I of the Picts|Bridei mac Maelchon]] and Columba. The process of establishing Christianity throughout Pictland will have extended over a much longer period. Pictland was not solely influenced by [[Iona]] and Ireland. It also had ties to churches in [[England]], as seen in the reign of [[Nechtan IV of the Picts|Nechtan mac Der Ilei]].<ref>Broun, ''Nechtan mac Der Ilei'', Bede, IV, cc. 21&ndash;22.</ref>
Christian missionaries completed the conversion of Pictland in the 7th century, having converted southern kingdoms in the 5th or 6th centuries. Although the Britons of southern Scotland and then the [[Northumbrian]] church played a part in this process, the Celtic church of Saint [[Columba]] and his successors proved the most influential in the missionary work. They established strong and enduring links between Pictland and [[Iona]].


==History==
Historians now question the idea of Pictland coming under pressure from [[Dalriada|Dalriadan]] invaders{{ref|history1}}. No evidence exists of Dalriadan dominance in the 8th or 9th centuries. One interesting characteristic distinguishing the Picts from their neighbours was a peculiar form of [[matrilineal]] inheritance, in which the King of the Picts was the husband of the daughter of the previous king. For example in [[553]]&ndash;[[584]], [[Brudei]] mac Maelcon, pagan son of [[Maelgwyn]] of [[Gwynedd]], [[Pendragon]] of Britain, became King of the Picts through marriage into the royal lineage. He was followed in the period from [[584]]&ndash;[[599]] by Gartnait mac Aedan, Son of Aedan mac Gabrán, King of the Dal Riada Scots, the son-in-law of Brudei. The Pictish king [[Oengus I of the Picts|Onuist mac Uurgust]] (fl. [[729]]&ndash;[[761]]) was King of both Picts and of DalriadaOnuist sacked [[Dunadd]] and captured the sons of the King of Dalriada. and [[Caustantín of the Picts|Causantín mac Fergusa]]<!-- Cummins in ''The Picts and their Symbols'' offers some ideas on why Constantine had a non-traditional name --> (fl. [[789]]&ndash;[[820]]) dominated Dalriada. Causantín put his son on the throne of Dalriada and his brother, son and nephew succeeded him as Kings of Pictland until [[Viking]] invaders defeated the Picts in [[839]].


The means by which the Pictish confederation formed in [[Late Antiquity]] from a number of tribes are as obscure as the processes which created the [[Franks]], the [[Alamanni]] and similar confederations in Germany. The presence of the [[Roman Empire]], unfamiliar in size, culture, political systems and ways of making war, should be noted. Nor can we ignore the wealth and prestige that control of trade with Rome offered.<ref>See the discussion of the creation of the Franks in Geary, ''Before France'', chapter 2.</ref>
In the [[Viking age]] [[Norwegian people|Norse]] invaders conquered much of northern Pictland &mdash; Caithness, Sutherland, the Western Isles and Ross. In southern Pictland, wars with the Vikings continued until the reign of [[Constantine II of Scotland|Constantine mac Aeda]] ([[900]]&ndash;[[942]]/[[943|3]]), grandson of [[Kenneth I of Scotland|Kenneth mac Alpin]]. <!-- Could probably do with more on Kenneth mac Alpin but so long as he has his own overblown article it is not essential. Note that his name and patronym are Pictish king-names, see Cummins' ''The Age of the Picts'' --> Constantine reigned as the first King of [[Alba]].


Pictland had previously been described as the home of the ''Caledonii''.<ref>e.g. by [[Tacitus]], [[Ptolemy]], and as the ''Dicalydonii'' by X, Y.</ref> Other tribes said to have lived in the area included the ''[[Verturiones]]'', ''Taexali'', ''Venicones'', &c, &c.<ref>Ptolemy, X, Y</ref>Except for the Caledonians, the names may be second- or third-hand: most likely as reported to the Romans by speakers of Brythonic or Gaulish languages.<ref>''Caledonii'' is attested from a grave marker in Roman Britain, see X.</ref>
==Pictish language==
[[Kenneth H. Jackson]] argued that there were two distinct Pictish languages, one [[Celtic languages|Celtic]], one non-Indo-European,{{fact}} a view that was once generally accepted. More recently, Katherine Forsyth (Forsyth 1997, p37) writes that "on current evidence the only acceptable conclusion is that, from the time of our earliest sources, there was only one language spoken in Pictland, the most northerly reflex of Brittonic".


Pictish recorded history begins in the so-called [[Dark Ages]]. It appears that they were not the dominant power in Northern Britain for the entire period. Firstly the Gaels of Dál Riada dominated the region, but suffered a series of defeats in the first third of the [[7th century]].<ref>refs Dal Riada</ref> The [[Angles]] of [[Bernicia]], later called [[Northumbria]], overwhelmed the surrounding British kingdoms, and the neighbouring Anglian kingdom of [[Deira]], to become the most powerful kingdom in Britain.<ref>For the kingdoms of Bernicia, and Northumbria, see e.g. Higham, ''The Kingdom of Northumbria''.</ref> The Picts were probably tributary to the Angles until the reign of [[Bridei III of the Picts|Bridei map Beli]], when the Anglians suffered a defeat at the [[battle of Dunnichen]] which halted Anglian expansion northwards. The Northumbrians continued to dominate southern Scotland, and to advance against the Britons, for the remainder of the Pictish period.<ref>Need to add ref or Dunnichen and Bridei articles sufficient ?</ref>
The evidence of [[toponym|placenames]] and [[Onomastics|personal names]] suggest strongly that the Picts spoke a [[Brythonic languages|Brythonic language]]. Placenames often allow us to deduce the existence of historic Pictish settlements in Scotland. Those prefixed with "Aber-", "Lhan-", "Pit-" or "Fin-" indicate regions inhabited by Picts in the past (for example: Aberdeen, Lhanbryde, Pitmedden, Pittodrie, Findochty, etc). In support of this hypothesis, Gaelic tradition sees the Picts as identical to or descended from the Brythonic group which the Gaels called, and still call, the ''[[Cruithne (people)|Cruithne]]''. ''Cruithne'' has a likely [[cognate]] in the Welsh ''Prydain'', in which we can see the standard /k/ to /p/ [[Goidelic]] to Brythonic sound correspondence (both sounds come from /k<sup>w</sup>/). From the Brythonic Celtic ''Prydain'' (or rather from its older form ''Pretani'') comes (via Latin) the English word ''Britain''. A reconstruction of the [[Pictish Language]] was created for the 2004 film [[King Arthur (film)| King Arthur]].


In the reign of [[Óengus I of the Picts|Óengus mac Fergusa]] (729&ndash;761), it appears that Dál Riada was very much subject to the Pictish king. Although it had its own kings from the 760s, it appears that Dál Riada did not recover.<ref>Broun, "Pictish Kings", attempts to reconstruct the confused late history of Dál Riada. The silence in the Irish Annals is ignored by Bannerman in "The Scottish Takeover of Pictland and the relics of Columba".</ref> A later Pictish king, [[Caustantín of the Picts|Caustantín mac Fergusa]] (793&ndash;820) placed his son Domnall on the throne of Dál Riada (811&ndash;835).<ref>After Broun, "Pictish Kings".</ref> Pictish attempts to achieve a similar dominance over the Britons of [[Kingdom of Strathclyde|Alt Clut]] ([[Dumbarton]]) were not successful.<ref>Cf. the failed attempts by [[Óengus I of the Picts|Óengus mac Fergusa]].</ref>
The Basque scholar [[Federico Krutwig]] joined Pictish, [[Basque language|Basque]] and [[Guanche]] in the same family. This assertion might be ideologically colored though, and has never been corroborated.


The coming of the [[Viking Age]] brought great changes in Britain and Ireland, no less in Scotland than elswehere. The kingdom of Dál Riada was destroyed, certainly by the middle of the 9th century, when [[Ketil Flatnose]] is said to have founded the [[Kingdom of the Isles]]. Northumbria too succumbed to the Vikings, who founded the [[Kingdom of York]]. The [[kingdom of Strathclyde]] was also greatly affected. <ref>Is something needed on the Vikings ?</ref>
==The legends of the "Painted People"==
Popular etymology has long interpreted the name ''Pict'' as if it derived from the Latin the word ''Picti'' meaning "painted folk" or possibly "tattooed ones"; and this may relate to the Welsh word ''Pryd'' meaning "to mark" or "to draw". [[Julius Caesar]], who never went near Pictland, mentions the British Celtic custom of body painting in Book V of his ''[[The Gallic Wars|Gallic Wars]]'', stating
:''Omnes vero se Britanni '''vitro inficiunt''', quod caeruleum efficit colorem, atque hoc horridiores sunt in pugna aspectu,''
which means
:"In fact all Britanni '''stain''' themselves '''with ''vitrum,'' ''' which produces a dark blue colour, and by this means they are more terrifying to face in battle."


The king of Fortriu [[Uen of the Picts|Eógan mac Óengusa]], the king of Dál Riada [[Aed mac Boanta]], and many more, were killed in a decisive battle against the Vikings in [[839]].<ref>Annals of Ulster (s.a. 839): "The (Vikings) won a battle against the men of Fortriu, and Eóganán son of Aengus, Bran son of Óengus, Aed son of Boanta, and others almost innumerable fell there."</ref> The rise of [[Kenneth I of Scotland|Cínaed mac Ailpín]] (Kenneth MacAlpin) in the 840s, in the aftermath of this disaster, brought to power the family who would preside over the last days of the Pictish kingdom and found the new kingdom of Alba, although Cínaed himself was never other than king of the Picts.
The phrase ''vitro inficiunt'' is traditionally translated as "stain with [[woad]]", but could as well have meant “infect with glass”—describing a scarification ritual which left dark blue [[scar]]s—or “dye with glaze”, forming a direct reference to [[tattoo]]ing. Subsequent commentators may have displaced the 1st-century BC southern practices (of the ''Brittani'', a tribe south of the [[Thames]]) to the northern peoples in an attempt to explain the name ''Picti'', which came into use only in the 3rd century AD. Julius Caesar himself, commenting in his ''Gallic Wars'' on the tribes from the areas where Picts (later) lived, states that they have “designs carved into their faces by iron”.


In the reign of Cínaed's grandson, [[Constantine II of Scotland|Caustantín mac Áeda]] ([[900]]-[[943]]), the kingdom of the Picts seems to have become the kingdom of Alba. The change from Pictland to Alba may not have been noticeable at first; indeed, as we do not know the Pictish name for their land, it may not have been a change at all. The Picts, and the Pictish language which marked them out, did not disappear suddenly after the change, if change it was, but the process of Gaelicisation which had been ongoing for centuries carried on under Caustantín and his successors. When the last Picts had become Gaels, and Scots, the Picts were soon forgotten. Later they would reappear in [[myth]] and [[legend]].<ref>Broun, "Dunkeld", Broun, "National Identity", Forsyth, "Scotland to 1100", pp. 28&ndash;32, Woolf, "Constantine II"; cf. Bannerman, "Scottish Takeover", passim, representing the "traditional" view.</ref>
If they used [[woad]], then it probably penetrated under the skin as a tattoo, but there is some recent controversy over this as the woad damages the skin to produce scar tissue, but the blue colour is lost. More likely, the Celts used copper for blue tattoos (they had plenty of it) and soot-ash carbon for black. Further study of [[bog body|bog bodies]] may provide more information on the specific tattooing techniques (if any) used by the Picts.


==The Picts in fantasy==
==Pictish Kings and Kingdoms==
Many writers have been drawn to the idea of the Picts and created fictional stories and mythology about them in the absence of much real data. This romanticised view tends to portray them as occasionally [[noble savage]]s, much as the view of Europeans on [[Indigenous peoples of the Americas|Native Americans]] in the 18th century.


The early history of Pictland is, as has been said, obscure. In later periods multiple kings existed, ruling over separate kingdoms, with one king, sometimes two, more or less dominating their lesser neighbours.<ref>Broun, "Kingship", for Ireland see, e.g. Byrne, ''Irish Kings and High-Kings'', and more generally Ó Cróinín, ''Early Medieval Ireland''.</ref> ''[[De Situ Albanie]]'', a late document, the [[Pictish Chronicle]], the ''[[Duan Albanach]]'', along with Irish legends, have been used to argue the existence of seven Pictish kingdoms. These are as follows, those in '''bold''' are known to have had kings, or are otherwise attested in the Pictish period:
They are an especial favourite race of [[Robert E. Howard]] and are mentioned frequently in his tales, having a continuity from the tales of King [[Kull]] of [[Atlantis]], where they are his allies to the [[Hyborian Age]] of [[Conan the Barbarian]] where they are the mortal enemies of the [[Cimmerians]], who are actually descended from the old Atlanteans though they do not remember their ancestry or old alliance. Howard also wrote tales about the last King of the Picts [[Bran Mak Morn]] set in real historical time and they figure commonly as enemies of Cormac mac Art.


* Cait &mdash; situated in modern [[Caithness]] and [[Sutherland]]
Howard's Picts are said to have originated in the westernmost reaches of North America, and gradually migrated into the Mediterranean area. At one time they spread to large areas of the world, but gradually vanished except for several splinter groups. Although some of these groups lived in remote jungles and southern continents, the most prominent body of Picts settled in the British isles, where they displaced a supposedly mongoloid race that had been the initial residents of the isles (though their origins were elsewhere).
* Ce &mdash; situated in modern [[Mar]] and [[Buchan]]
* '''Circinn''' &mdash; perhaps situated in modern [[Angus]] and [[the Mearns]]<ref>Forsyth, "Lost Pictish Source", Watson, ''Celtic Place Names'', page wanting.</ref>
* Fib &mdash; the modern [[Fife]], known to this day as 'the Kingdom of Fife'
* Fidach &mdash; location unknown
* '''Fotla''' &mdash; modern [[Atholl]] (''Ath-Fotla'')<ref>Bruford, "What happened to the Caledonians", Watson, ''Celtic Place Names'', page wanting.</ref>
* '''[[Fortriu]]''' &mdash; cognate with the ''Verturiones'' of the Romans; recently shown to be centered around [[Moray]]<ref>Woolf, "Dun Nechtain"; cf. earlier works, e.g. Foster, ''Picts, Gaels and Scots'', p. 33.</ref>


More small kingdoms may have existed. Some evidence suggest that a Pictish kingdom also existed in [[Orkney]].<ref>Adomnán, "Life of Columba", tr. & ed. notes on pp. 342&ndash;343.</ref> De Situ Albanie is not the most reliable of sources, and the number of kingdoms, one for each of the seven sons of ''Cruithne'', the [[Eponym|eponymous]] founder of the Picts, may well be grounds enough for disbelief.<ref>Broun, "Seven Kingdoms".</ref> Regardless of the exact number of kingdoms and their names, the Pictish nation was not a united one.
An interesting point is that, in the Hyborian age, when they populate the Western edge of Europe and share a border with [[Aquilonia]], which tries to push them further west to colonize new provinces, the Picts show clear native American influence, in their appearance, dress, armament, manner of conducting wars... and even the place names of the new Aquilonian provinces... It is hard to tell whether this is a case of inconsistency on the part of Howard, or a throwback to their earliest origins and savagery, as Hyborian Picts are definitely more primitive and Savage than those Kull knew.


For most of Pictish recorded history the kingdom of Fortriu appears dominant, so much so that ''king of Fortriu'' and ''king of the Picts'' may mean one and the same thing in the annals. This was previously thought to lie in the area around [[Perth]] and the southern [[Strathearn]], whereas recent work has convinced those working in the field that Moray (a name referring to a very much larger area in the High Middle Ages than that of the [[traditional county]] of [[Moray (county)|Moray]]), should be seen as the core of Fortriu.<ref>Woolf, "Dun Nechtain".</ref>
This previous race sought refuge underground, and over long millenia they evolved into stunted and hideous creatures, who were the initial subjects of tales concerning [[elves]] and [[dwarves]]. The Picts were in turn displaced by the invading [[Celts]], and they fled northward and interbred with a tribe of 'red haired barbarians,' resulting in a genetic shift toward diminished height. Following subsequent [[ancient Rome|Roman]], [[Breton]], and [[Saxon people|Saxon]] invasions, the Picts too sought refuge underground, just like the natives they had displaced before.


The Picts are often said to have practised [[matrilineal]] succession on the basis of Irish legends and a statement in [[Bede]]'s history. In fact, Bede merely says that the Picts used matrilineal succession in exceptional cases.<ref>Bede, I, c. 1</ref> The kings of the Picts when Bede was writing were Bridei and Nechtan, sons of Der Ilei, who indeed claimed the throne through their mother Der Ilei, daughter of an earlier Pictish king.<ref>Clancy, "Nechtan son of Derile".</ref>
Howard's descriptions of the later Picts portray them as very small in height, squat and muscular, adept at silent movement, and most of all brutish and uncivilised. They painted themselves with [[woad]], much like the historical Picts, and lived in very large caverns, some natural and some artificially expanded. They had a custom of burning enemy prisoners alive, a ceremony usually presided over by their 'wizards' or [[priests]], whom Howard portrayed as having a twisted philosophy and mindset produced by many years of hatred, in direct opposition to the Pictish warrior-king [[Bran Mak Morn]], who attempted to restore the Picts to their honourable place in the world and drive out the Roman invaders.


In Ireland, kings were expected to come from among those who had a great-grandfather who had been king.<ref> Byrne, ''Irish Kings and High-Kings'', pp. 35&ndash;41 & pp. 122&ndash;123, also p. 108 & p. 287, stating that ''derbfhine'' was practised by the ''cruithni'' Ulster.</ref> Kingly fathers were not frequently succeeded by their sons, not because the Picts practised matrilineal succession, but because they were usually followed by their brothers or cousins, more likely to be experienced men with the authority and the support necessary to be king.<ref>Byrne, ''Irish Kings and High-Kings'', p. 35, "Elder for kin, worth for rulership, wisdom for the church." See also Foster, ''Picts, Gaels and Scots'', pp. 32&ndash;34, Smyth, ''Warlords and Holy Men'', p. 67ff.</ref>
Bran Mak Morn's mindset was very unusual for his time and location, because he favored an alliance of the 'native' British populations, including the Picts, Bretons, and Celts, against the Romans, in a setting when each of these tribes fostered an intense hatred and mistrust for all the others. Robert E. Howard also mentions that some warriors among the Picts could assume the forms of [[wolves]], in the manner of [[werewolves]], on their own free will. These Picts were a 'race' with whom Howard felt the most affinity, and for this reason they were one of his favourite subjects, despite being almost wholly fictitious and deviating from historical fact.


==See also==
==Language==
*[[Kings of the Picts]]
*[[Harp]] As pictorial evidence suggests the Picts were the first to make the Celtic Harp
*[[Pictish stones]]
*[[Mormaer]]
*[[Terry Pratchett]]'s ''[[Discworld]]'' novels ''[[The Wee Free Men]]'' and ''[[A Hat Full of Sky]]'' feature a race of [[fairy|fairies]] named "Pictsies", which are truly Pictish [[pixie]]s.


The Pictish language does not survive. Evidence is limited to place names and to the names of people found on monuments and the contemporary records. The "problem" of the Pictish language was largely solved in 1582, by humanist scholar, and native Gaelic-speaker, [[George Buchanan (humanist)|George Buchanan]], who expressed the view that Pictish was similar to Gaelic. The rest is postscript.<ref> This may be something of an oversimplification. Forsyth, ''Language in Pictland'', offers a short account of the debate. Cowan, "Invention of Celtic Scotland" may be helpful for a broader view.</ref>
==References==
===Pictish language/dialect===
*Ball, Martin J. and James Fife (eds.) ''"The Celtic Languages"''. London: Routledge (2001) ISBN 041528080X


The evidence of [[toponym|placenames]] and [[Onomastics|personal names]] argue strongly that the Picts spoke [[Insular Celtic languages]] related to the more southerly [[Brythonic languages]].<ref>Forsyth, ''Language in Pictland'', Price "Pictish", Taylor, "Place names", Watson, ''Celtic Place Names''. For K.H. Jackson's views, see "The Language of the Picts" in Wainright (ed.) ''The Problem of the Picts.''</ref> Columba, a Gael, needed an interpreter in Pictland, and Bede claimed that the Picts spoke a different language from the Britons, statements which say nothing about the nature of the Pictish language. It has been argued, with more force than utility, than one or more non-Indo-European languages survived in Pictland, an argument based on limited negative evidence and the long discarded view that languages and material cultures can spread only through invasion and migration.<ref>Forsyth, ''Language in Pictland''; the relationship between Basque and Pictish theorised by [[Federico Krutwig]], lacks support in English-language publications. The website of [http://www.palazio.org/palazio/desbideraketa/cara/files/ Gorka J. Palazio] presents some of Krutwig's ideas in English.</ref>
*Cox, R. A. V. ''"Abstract: Modern Scottish Gaelic Reflexes of Two Pictish Words: *pett and *lannerc."'' in Celtic Connections: Proceedings of the Tenth International Congress of Celtic Studies, Vol. 1. Ronald Black, William Gillies, and Roibeard Ó Maolalaigh (eds.) East Linton: Tuckwell Press (1999), p. 504


The absence of surviving written material in Pictish does not mean a pre-literate society. The church certainly required literacy, and could not function without copyists to produce liturgical documents. Pictish iconography shows books being read, and carried, and its naturalistic style gives every reason to suppose that such images were of real life. Literacy was not widespread, but among the senior clergy, and in monasteries, it will have been common enough.<ref>Forsyth, "Literacy in Pictland".</ref>
*Forsyth, K.; ''"Language in Pictland : the case against 'non-Indo-European Pictish'" '' in Studia Hameliana #2. Utrecht: de Keltische Draak (1997). [http://eprints.gla.ac.uk/archive/00002081/01/languagepictland.pdf Etext] Rev. Damian McManus. Cambrian Medieval Celtic Studies #38 (Winter 1999), pp. 109-110


Placenames often allow us to deduce the existence of historic Pictish settlements in Scotland. Those prefixed with "Aber-", "Lhan-", "Pit-" or "Fin-" indicate regions inhabited by Picts in the past (for example: Aberdeen, Lhanbryde, Pitmedden, Pittodrie, Findochty, etc). Some of these, such as "Pit-" (portion, share) were formed after Pictish times, and may refer to previous "shires" or "thanages".<ref>For place names in general, see Watson, ''Celtic Place Names'', for shires/thanages see Barrow, "Pre-Feudal Scotland."</ref>
*Forsyth, K.; ''"Literacy in Pictland"'' in Literacy in Medieval Celtic Societies. Cambridge, New York, and Melbourne: Cambridge University Press (1998), pp. 39-61


The evidence of place names may also reveal the advance of Gaelic into Pictland. As noted, Atholl, meaning New Ireland, is attested in the early 8th century. This may be an indication of the advance of Gaelic. Fortriu also contains placenames suggesting Gaelic settlement, or Gaelic influences, and ties of the Eoganacht to ''Circinn'' are <ref>Watson, ''Celtic Place Names'', page numbers wanting.</ref>
*Forsyth, K.; ''"Abstract: The Three Writing Systems of the Picts."'' in Celtic Connections: Proceedings of the Tenth International Congress of Celtic Studies, Vol. 1. Ronald Black, William Gillies, and Roibeard Ó Maolalaigh (eds.) East Linton: Tuckwell Press (1999), p. 508


==Legends of the "Painted People"==
*Griffen, T.D.; ''"The Grammar of the Pictish Symbol Stones"'' in LACUS Forum #27 (2001), pp. 217-26
<!--no references here, it would be nice to have some-->Popular etymology has long interpreted the name ''Pict'' as if it derived from the Latin the word ''Picti'' meaning "painted folk" or possibly "tattooed ones"; and this may relate to the Welsh word ''Pryd'' meaning "to mark" or "to draw". [[Julius Caesar]], who never went near Pictland, mentions the British Celtic custom of body painting in Book V of his ''[[The Gallic Wars|Gallic Wars]]'', stating
<blockquote>''Omnes vero se Britanni '''vitro inficiunt''', quod caeruleum efficit colorem, atque hoc horridiores sunt in pugna aspectu,''</blockquote>
which means
<blockquote>In fact all Britanni '''stain''' themselves '''with ''vitrum,'' ''' which produces a dark blue colour, and by this means they are more terrifying to face in battle.</blockquote>


The phrase ''vitro inficiunt'' is traditionally translated as "stain with [[woad]]", but could as well have meant “infect with glass”-describing a scarification ritual which left dark blue [[scar]]s-or “dye with glaze”, forming a direct reference to [[tattoo]]ing. Subsequent commentators may have displaced the 1st-century BC southern practices (of the ''Brittani'', a tribe south of the [[Thames]]) to the northern peoples in an attempt to explain the name ''Picti'', which came into use only in the 3rd century AD. Julius Caesar himself, commenting in his ''Gallic Wars'' on the tribes from the areas where Picts (later) lived, states that they have “designs carved into their faces by iron”.
*Okasha, E.; ''"The Non-Ogam Inscriptions of Pictland"'' in Cambridge Medieval Celtic Studies #9 (1985), pp. 43-69


If they used [[woad]], then it probably penetrated under the skin as a tattoo, but there is some recent controversy over this as the woad damages the skin to produce scar tissue, but the blue colour is lost. More likely, the Celts used copper for blue tattoos (they had plenty of it) and soot-ash carbon for black. Further study of [[bog body|bog bodies]] may provide more information on the specific tattooing techniques (if any) used by the Picts.
===Pictish culture===
*Battaglia, F.; ''"The Matriliny of the Picts"'' in Mankind Quarterly #31 (1990), pp. 17-44


==Notes==
*Black, C.; ''"Abstract: The 'Pictish beast': The Origins and Evolution of the Symbol."'' in Celtic Connections: Proceedings of the Tenth International Congress of Celtic Studies, Vol. 1. Ronald Black, William Gillies, and Roibeard Ó Maolalaigh (eds.) East Linton: Tuckwell Press (1999), pg. 497
<div style="font-size: 80%">
<references/>
</div>


==References==
*Bruford, A.; ''"Trolls, Hillfolk, Finns, and Picts: The Identity of the Good Neighbors in Orkney and Shetland."'' in The Good People: New Fairylore Essays. Peter Narváez (ed.) New York and London: Garland (1991), pp. 116-141
{{col-begin}}{{col-2}}<div style="font-size: 80%">
* Adomnán, ''Life of St Columba'', tr. & ed. Richard Sharpe. Penguin, London, 1995. ISBN 0-14-044462-9
* Armit, Ian, ''Towers In The North: The Brochs Of Scotland.'' Tempus, Stroud, 2002. ISBN 0752419323
* Bannerman, John, "The Scottish Takeover of Pictland and the relics of Columba" in Thomas Owen Clancy & Dauvit Broun (eds.), ''Spes Scotorum: Hope of Scots. Saint Columba, Iona and the Scotland.'' T. & T. Clark, Edinburgh, 1999. ISBN 0-567-08682-8
* Barrow, G.W.S. "Pre-feudal Scotland: shires and thanes" in ''The Kingdom of the Scots.'' Edinburgh UP, Edinburgh, 2003. ISBN 0-7486-1803-1
* Broun, Dauvit, "Dunkeld and the origin of Scottish identity" in Clancy & Broun (1999).
* Broun, Dauvit, "National identity: early medieval and the formation of Alba" in Michael Lynch (ed.), ''The Oxford Companion to Scottish History.'' Oxford UP, Oxford, 2001. ISBN 0-19-211696-7
* Broun, Dauvit, "Pictish Kings 761&ndash;839: Integration with Dál Riata or Separate Development" in Sally M. Foster (ed.), ''The St Andrews Sarcophagus: A Pictish masterpiece and its international connections.'' Four Courts, Dublin, 1998. ISBN 0-85182-414-6
* Broun, Dauvit, "The Seven Kingdoms in ''De situ Albanie'': A Record of Pictish political geography or imaginary map of ancient Alba" in E.J. Cowan & R. Andrew McDonald (eds.), ''Alba: Celtic Scotland in the Medieval Era.'' John Donald, Edinburgh, 2005. ISBN 0-85976-608-X
* Bruford, Alan, "What happened to the Caledonians ?" in Cowan & McDonald (2005).
* Byrne, Francis John, ''Irish Kings and High-Kings.'' Batsford, London, 1973. ISBN 0-7134-5882-8
* Cambell, Ewan, ''Saints and Sea-kings: The First Kingdom of the Scots.'' Canongate, Edinburgh, 1999. ISBN 0-82641-874-7
* Clancy, Thomas Owen, "Ireland: to 1100" in Lynch (2001).
* Clancy, Thomas Owen, "Nechtan son of Deril" in Lynch (2001).
* Clancy, Thomas Owen, "Scotland, the 'Nennian' Recension of the ''Historia Brittonum'' and the ''Libor Bretnach'' in Simon Taylor (ed.), ''Kings, clerics and chronicles in Scotland 500&ndash;1297.'' Fourt Courts, Dublin, 2000. ISBN 1-85182-516-9
* Cowan, E.J., "Economy: to 1100" in Lynch (2001).
* Cowan, E.J., "The Invention of Celtic Scotland" in Cowan & McDonald (2005).
* Crone, B.A., "Crannogs and Chronologies", PSAS, vol. 123 (1993), pp. 245&ndash;254.
* Cummins, W.A., ''The Age of the Picts.'' Sutton, Stroud, 1998. ISBN 0-7509-1608-7
* Dennison, Patricia, "Urban settlement: to 1750" in Lynch (2001).
* Driscoll, Stephen T., "Burghead" in Lynch (2001).
* Dyer, Christopher, ''Making a Living in the Middle Ages: The People of Britain 850&ndash;1520.'' Penguin, London, 2003. ISBN 0-140-25951-1
* Forsyth, Katherine, ''Language in Pictland : the case against 'non-Indo-European Pictish''' (Studia Hameliana no. 2). De Keltische Draak, Utrecht, 1997. ISBN 90-802785-5-6
* Forsyth, Katherine, "Literacy in Pictland" in Huw Pryce (ed.), ''Literacy in Medieval Celtic Societies.'' Cambridge UP, Cambridge, 1998.{{col-2}}<div style="font-size: 80%">
* Forsyth, Katherine, "Evidence of a lost Pictish Source in the ''Historia Regum Anglorum'' of Symeon of Durham", with an appendix by John T. Koch, in Taylor (2000).
* Forsyth, Katherine, "Picts" in Lynch (2001).
* Forsyth, Katherine, "Origins: Scotland to 1100" in Jenny Wormald (ed.), ''Scotland: A History'', Oxford UP, Oxford, 2005. ISBN 0-19-820615-1
* Foster, Sally M., ''Picts, Gaels, and Scots: Early Historic Scotland.'' Batsford, London, 2004. ISBN 0-7134-8874-3
* Geary, Patrick J., ''Before France and Germany: The creation and transformation of the Merovingian World.'' Oxford U.P., Oxford, 1988. 0-19-504457-6<!-- Although the version I actually read was ''Naissance de la France'', tr. Carlier & Detienne, 1989-->
* Hanson, W., "North England and southern Scotland: Roman occupation" in Lynch (2001).
* Haywood, John, ''Dark Age Naval Power.'' Anglo-Saxon Books, Hockwold-cum-Wilton, 1999. ISBN 1-898281-22-X
* Henderson, Isabel, "''Primus inter pares'': the St Andrews Sarcophagus and Pictish Sculpture" in Foster (1999).
* Higham, N.J., ''The Kingdom of Northumbria AD 350&ndash;1100.'' Sutton, Stroud, 1993. ISBN 0-86299-730-5
* Laing, Lloyd & Jenny Lloyd, ''The Picts and the Scots.'' Sutton, Stroud, 2001. ISBN 0-7509-2873-5
* Lowe, Chris, ''Angels, Fools and Tyrants: Britons and Angles in Southern Scotland.'' Canongate, Edinburgh, 1999. ISBN 0-82641-875-5
* Markus, Fr. Gilbert, O.P., "Religious life: early medieval" in Lynch (2001).
* Markus, Fr. Gilbert, O.P., "Conversion to Christianity" in Lynch (2001).
* Ó Cróinín, Dáibhí, ''Early Medieval Ireland: 400&ndash;1200.'' Longman, London, 1995. ISBN 0-582-01565-0
* Oram, Richard, "Rural society: medieval" in Lynch (2001).
* Price, Glanville, "Pictish" in Glanville Price (ed.), ''Languages in Britain & Ireland.'' Blackwell, Oxford, 2000. ISBN 0-631-21581-6
* Pryor, Francis, ''Britain A.D.'' Harper Perennial, London, 2005.ISBN 0-00-718187-6
* Ritchie, Anna, "Culture: Picto-Celtic" in Lynch (2001).
* Rodger, N.A.M., ''The Safeguard of the Sea. A Naval History of Great Britain, volume one 660&ndash;1649.'' Harper Collins, London, 1997. ISBN 0-00-638840-X
* Sellar, W.D.H., "Gaelic laws and institutions" in Lynch (2001).
* Smyth, Alfred P., ''Warlords and Holy Men: Scotland AD 80&ndash;1000.'' Edinburgh UP, Edinburgh, 1984. ISBN 0-7486-0100-7
* Taylor, Simon, "Place names" in Lynch (2001).
* [[William J. Watson|Watson, W.J.]] ''The History of the Celtic Place-names of Scotland.''
* Woolf, Alex, "Dun Nechtain, Fortriu and the Geography of the Picts," (forthcoming).
* Woolf, Alex, "Nobility: early medieval" in Lynch (2001).
* Woolf, Alex, "Ungus (Onuist) son of Uurgust" in Lynch (2001).
</div>{{col-end}}


==Further reading==
*Carrington, A.; ''"David Imagery and the Chase Motif in Pictish Sculpture"'' in Studia Celtica #30 (1996), pgs. 147-158
Foster (2004) is considerably revised from the 1996 edition, and offers the most complete introduction to the subject. The articles in Lynch (2001) will be useful, but this is not referenced and may be best read in conjunction with another work. Laing & Laing (2001) provides good coverage of Pictish art, but is not well illustrated and otherwise outdated. Cummins (1999) attempts a narrative, with mixed success. Smyth (1984) makes some interesting points, but may not be a suitable introduction. The relevant works in the new Edinburgh history of Scotland - Fraser, ''From Caledonia to Pictland'', and Woolf, ''From Pictland to Alba'' - are expected in 2007&ndash;2008.

*Carrington, A.; ''"Abstract: The Eassie and the Kirriemuir No. 2 Cross-Slab Chase Motifs: A Part of the Pictish 'David Cycle'?"'' in Celtic Connections: Proceedings of the Tenth International Congress of Celtic Studies, Vol. 1. Ronald Black, William Gillies, and Roibeard Ó Maolalaigh (eds.) East Linton: Tuckwell Press (1999), p. 500

*Henderson, I.; ''"Variations on an Old Theme: Panelled Zoomorphic Ornament on Pictish Sculpture at Nigg, Easter Ross, and St. Andrew's Fife, and in the Book of Kells."'' in The Insular Tradition. Catherine E. Karkov, Michael Ryan, and Robert T. Farrell (eds.) Albany: State University of New York Press (1997), pp. 143-166

*Hughson, I.; ''"Horses in the Early Historic Period: Evidence from the Pictish Sculptured Stones."'' in The Horse in Celtic Culture: Medieval Welsh Perspectives. Sioned Davies and Nerys Ann Jones (eds.) Cardiff: University of Wales Press (1997) pp. 23-42

*Hughson, I.; ''"Pictish Horses and Pictish Society."'' in Celtic Connections: Proceedings of the Tenth International Congress of Celtic Studies, Vol. 1. Ronald Black, William Gillies, and Roibeard Ó Maolalaigh (eds.) East Linton: Tuckwell Press (1999), pp. 211-221

*Laing, L.; ''"The Hoard of Pictish Silver from Norrie's Law, Fife"'' in Studia Celtica #28 (1994), pp. 11-38

*Laing, L., Laing, J.; ''"The Picts and the Scots"'' Stroud: Alan Sutton (1993)

*MacQuarrie, C.; ''"Abstract: Stigmata or Stigmatisation? Picts, Celts, and the Body as (Pre)text"'' in Celtic Connections: Proceedings of the Tenth International Congress of Celtic Studies, Vol. 1. Ronald Black, William Gillies, and Roibeard Ó Maolalaigh (eds.) East Linton: Tuckwell Press (1999), p. 531

*Ross, A.; ''"'Harps of Their Own Sorte'? A Reassessment of Pictish Chordophone Depictions"'' in Cambrian Medieval Celtic Studies #36 (Winter 1998), pp. 37-60

*Woolf, A.; ''"Pictish Matriliny Reconsidered."'' The Innes Review #49/2 (Autumn 1998), pp. 147-167

===Pictish history===
*Bannerman, J. ''"The Scottish takeover of Pictland and the relics of Columba"'' in The Innes Review #48/1 (Spring 1997), pp. 27-44

*Cummins, W.A.; ''"The Age of the Picts"'' Stroud: Alan Sutton (1995) Rev. David Rollason in Early Medieval Europe #6 (1997), p. 126

*Foster, S.M.; ''"Picts, Gaels, and Scots"'' London: Batsford/Historic Scotland (1996). Rev. Colleen Batey in Early Medieval Europe #6 (1997), pp. 234-236

*de Napier, S.; ''"Naomh Pádraig agus na Pictigh"'' in An t-Ultach #62/5 (1985), pp. 19-20

===Eumenius's panegyric===
*[[Emil Baehrens|Baehrens, Aemilius]] [Emil] (ed.); ''"XII Panegyrici Latini"'' (1874) [Latin edition]
*Mynors, R.A.B. (ed.); ''"XII Panegyrici Latini"'', Oxford Univ. Press (1964) ISBN: 0198146477 [Latin edition]
*Rodgers, B.S., Nixon, C.E.V. (eds.); ''"In Praise of Later Roman Emperors: The Panegyrici Latini"'', Univ. of California Press (1995) ISBN: 0520083261 [Latin and English translation edition]

<!-- Please feel free to expand this area of the article. I will add more as time permits. *User: PMacuidhir -->


==External links==
==External links==
*Glasgow University [http://eprints.gla.ac.uk/ ePrints] server, including Katherine Forsyth's
*[http://www.stephen.j.murray.btinternet.co.uk/scotsandpicts.htm The Birth of Scotland]
**[http://eprints.gla.ac.uk/archive/00002081/01/languagepictland.pdf ''Language in Pictland'' (pdf)] and
*[http://www.hippy.com/albion/woad.htm Woad and its mis-association with Pictish BodyArt]
**[http://eprints.gla.ac.uk/2461/01/PictLit.pdf ''Literacy in Pictland'' (pdf)]
*[http://celt.ucc.ie/index.html CELT: Corpus of Electronic Texts] at [http://www.ucc.ie/ University College Cork]
**The '''Corpus of Electronic Texts''' includes the ''Annals of Ulster'', ''Tigernach'', ''the Four Masters'' and ''Innisfallen'', the ''Chronicon Scotorum'', the ''Lebor Bretnach'', Genealogies, and various Saints' Lives. Most are translated into English, or translations are in progress
*[http://www.mimas.ac.uk/~zzalsaw2/pictish.html ''The Pictish Chronicle'']
*[http://www.arts.ed.ac.uk/scothist/booklets/sh1/documents-alba.html ''The Chronicle of the Kings of Alba'']
*[http://historical.library.cornell.edu/cgi-bin/cul.cdl/docviewer?did=cdl360 ''Annals of Clonmacnoise''] at [http://historical.library.cornell.edu/cdl/index.html Cornell]
*[http://www.ccel.org/ccel/bede/history.pdf Bede's ''Ecclesiastical History'' and its Continuation (pdf)], at [http://www.ccel.org CCEL], translated by A.M. Sellar.
*[http://www.fordham.edu/halsall/source/annalescambriae.html ''Annales Cambriae'' (translated)] at the [http://www.fordham.edu/halsall/sbook.html Internet Medieval Sourcebook].
<!--*No online versions of the ''Historia Regum Anglorum et Danicorum'' or ''De Situ Albanie'' are known.-->
*[http://ads.ahds.ac.uk/catalogue/library/psas/ Proceedings] of the [[Society of Antiquaries of Scotland]] (PSAS) through 1999 (pdf).
*[http://www.york.ac.uk/depts/arch/staff/sites/tarbat/ Tarbat Discovery Programme] with reports on excavations at Portmahomack.
*[http://www.st-andrews.ac.uk/institutes/sassi/spns/ SPNS] the Scottish Place-Name Society/Comann Ainmean-Aite na h-Alba, including commentary on and extracts from Watson's ''The History of the Celtic Place-names of Scotland''.
<!--*[http://www.stephen.j.murray.btinternet.co.uk/scotsandpicts.htm The Birth of Scotland]
*[http://www.hippy.com/albion/woad.htm Woad and its mis-association with Pictish BodyArt]-->


==Notes==
==See also==
{{col-begin}}{{col-2}}
#{{note|history1}} W.A. Cummins, ''"The Age of the Picts"'', Stroud: Alan Sutton (1995), pp104-110. Alan Bruford, ''"What happened to the Caledonians ?"'' in Alba: Celtic Scotland in the Medieval Era. E.J. Cowan and R. Andrew McDonald (eds.), Edinburgh: John Donald Publishers (2005), pp63-67.
*[[Kings of the Picts]]
*[[Origins of the Kingdom of Alba]]
*[[Scotland in the Early Middle Ages]]
*[[Prehistoric Scotland]]
*[[Fortriu]]{{col-2}}
*[[Duan Albanach]]
*[[Harp]]
*[[Pictish stones]]
*[[Mormaer]]
*[[Caledonians]]{{col-end}}


[[Category:Iron Age Scotland]]
[[Category:Ancient Roman enemies]]
[[Category:Ancient Roman enemies]]
[[Category:Ancient peoples]]
[[Category:Post-Roman Scotland]]
[[Category:Post-Roman Scotland]]
[[Category:Ethnic groups in the United Kingdom]]
[[Category:Medieval Scotland]]
[[Category:Roman military occupation in southern Scotland]]


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Revision as of 23:29, 13 February 2006

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The Picts were a confederation of tribes in northern Britain from the 3rd century to the 11th century. They lived in Scotland, to the north of the Forth and Clyde. They were the descendants of the Caledonii and other tribes named by Roman historians or found on the map of Ptolemy. Pictland, also known as Pictavia, became the kingdom of Alba during the 10th century and the Picts became the Albannach or Scots

The Pictish Strathpeffer eagle stone, Highland, Scotland.

The name which the Picts called themselves is unknown. The Latin word Picti is taken to mean painted or tattooed people.[1] The Gaels of Ireland and Dál Riada called the Picts cruithne, (e.g. Old Irish cru(i)then-túath).[2] There were also cruithne in Ulster, in particlar the kings of Dál nAriadi.[3] The Britons and early Welsh of the south knew them as prydyn, or the more modern pryd; Britain and Briton come from the the same root.[4] Their Old English name gave the modern Scots form Pechts.[5]

Archaeology gives an impression of the society of the Picts. Although very little in the way of Pictish writing has survived, Pictish history, from the late 6th century onwards, is known from a variety of sources, including Saints' lives, such as that of Columba by Adomnán, and various Irish annals. Although the popular impression of the Picts may be one of an obscure, mysterious people, this is far from being the case. When compared with the generality of Northern, Central and Eastern Europe in Late Antiquity and the Early Middle Ages, Pictish history and society are well attested.[6]

Society

The archaeological record speaks to the material culture of the Picts. It tells of a society not readily distinguishable from its similar Gaelic and British neighbours, nor very different from the Anglo-Saxons to the south.[7] Although analogy and knowledge of other "Celtic" societies may be a useful guide, these extended across a very large area. Relying on knowledge of pre-Roman Gaul, or 13th century Ireland, as a guide to the Picts of the 6th century may be misleading if analogy is pursued too far.[8]

As with most peoples in the north of Europe in Late Antiquity, the Picts were farmers living in small communities. Cattle and horses were an obvious sign wealth and prestige, sheep and pigs were kept in large numbers. Place names suggest that transhumance was common. Their crops included wheat, barley, oats and rye, kale, cabbage, turnips and spinach, peas and beans. The pastoral economy meant that hides and leather were readily available. Wool was the main source of fibres for clothing, and flax was also common, although it is not clear if it was grown for fibres, for oil, or as a foodstuff. Along the coasts and rivers, fish, shellfish, seals and even whales were exploited. The importance of domesticated animals argues that milk products were an major part of the diet of ordinary people, while the élite would have eaten a diet rich in meat from farming and hunting.[9]

No Pictish counterparts to the areas of denser settlement around important fortresses, in Gaul and southern Britain, or any other significant urban settlements, are known. Larger, but not large, settlements existed around royal forts, such as at Burghead, or associated with religious foundations.[10] No towns are known in Scotland until the 12th century.[11]

The technology of everyday life is not well recorded, but archaelogical evidence shows it to have been similar to that in Ireland and Anglo-Saxon England. Recently evidence has been found of watermills in Pictland. Kilns were used for drying corn, not otherwise easy in the changeable, temperate climate.[12]

The early Picts are associated with piracy and raiding along the coasts of Roman Britain. Even in the Late Middle Ages, the line between traders and pirates was unclear, so that Pictish pirates were probably merchants on other occasions. It is generally assumed that trade collapsed with the Roman Empire, but this is to overstate the case. There is only limited evidence of long-distance trade with Pictland, but tableware and storage vessels from Gaul, probably transported up the Irish Sea, have been found. This trade may have been controlled from Dunadd in Dál Riada, where such goods appear to have been common. While long-distance travel was unusual in Pictish times, it was far from unknown as stories of missionaries, travelling clerics and exiles show.[13]

The harp was associated with medieval Scottish culture. This one, now in the Museum of Scotland, is one of only three surviving medieval Gaelic harps.
Reconstructed crannog on Loch Tay

Brochs are popularly associated with the Picts. Although these were built earlier in the Iron Age, with construction ending around 100 AD, they remained in use into and beyond the Pictish period.[14] Crannogs, which may originate in Neolithic Scotland, may have been rebuilt, and some were still in use in the time of the Picts.[15] The most common sort of buildings would have been roundhouses and rectangular timbered halls.[16] While many churches were built in wood, from the early 8th century, if not earlier, some were built in stone.[17]

The Picts are often said to have tattooed themselves, but evidence for this is limited. See Legends of the "Painted People" below. Naturalistic depictions of Pictish nobles, hunters and warriors, male and female, without obvious tattoos, are found on monumental stones. These stones include inscriptions in Latin and Ogham script, not all of which have been deciphered. The well known Pictish symbols found on stones, and elsewhere, are obscure in meaning. A variety of esoteric explanations have been offered, but the simplest conclusion may be that these symbols represent the names of those who had raised, or are commemorated on the stones. Pictish arts can be classed as Celtic, and later as Hiberno-Saxon. Harps are shown on Pictish scenes, indeed the harp proper, as opposed to the lyre may have originated in Scotland. Irish poets portrayed their Pictish counterparts as very much like themselves.[18]

Religion

A Celtic cross from Eyam (Mercia)

Early Pictish religion is presumed to have resembled Celtic polytheism in general. The date at which Pictish kings converted to Christianity is uncertain, but there are traditions which place Saint Palladius in Pictland after leaving Ireland, and link Abernethy with Saints Brigid and Darlugdach of Kildare.[19] Saint Patrick refers to "apostate Picts", while the Y Gododdin does not remark on the Picts as pagans.[20] Conversion of the Pictish élite seems likely to have run over a considerable period, beginning in the 5th century and not complete until the 7th. Recent archaelogical work at Portmahomack places the foundation of the monastery there, an area once assumed to be among the last converted, in the late 6th century.[21] This is contemporary with Bridei mac Maelchon and Columba. The process of establishing Christianity throughout Pictland will have extended over a much longer period. Pictland was not solely influenced by Iona and Ireland. It also had ties to churches in England, as seen in the reign of Nechtan mac Der Ilei.[22]

History

The means by which the Pictish confederation formed in Late Antiquity from a number of tribes are as obscure as the processes which created the Franks, the Alamanni and similar confederations in Germany. The presence of the Roman Empire, unfamiliar in size, culture, political systems and ways of making war, should be noted. Nor can we ignore the wealth and prestige that control of trade with Rome offered.[23]

Pictland had previously been described as the home of the Caledonii.[24] Other tribes said to have lived in the area included the Verturiones, Taexali, Venicones, &c, &c.[25]Except for the Caledonians, the names may be second- or third-hand: most likely as reported to the Romans by speakers of Brythonic or Gaulish languages.[26]

Pictish recorded history begins in the so-called Dark Ages. It appears that they were not the dominant power in Northern Britain for the entire period. Firstly the Gaels of Dál Riada dominated the region, but suffered a series of defeats in the first third of the 7th century.[27] The Angles of Bernicia, later called Northumbria, overwhelmed the surrounding British kingdoms, and the neighbouring Anglian kingdom of Deira, to become the most powerful kingdom in Britain.[28] The Picts were probably tributary to the Angles until the reign of Bridei map Beli, when the Anglians suffered a defeat at the battle of Dunnichen which halted Anglian expansion northwards. The Northumbrians continued to dominate southern Scotland, and to advance against the Britons, for the remainder of the Pictish period.[29]

In the reign of Óengus mac Fergusa (729–761), it appears that Dál Riada was very much subject to the Pictish king. Although it had its own kings from the 760s, it appears that Dál Riada did not recover.[30] A later Pictish king, Caustantín mac Fergusa (793–820) placed his son Domnall on the throne of Dál Riada (811–835).[31] Pictish attempts to achieve a similar dominance over the Britons of Alt Clut (Dumbarton) were not successful.[32]

The coming of the Viking Age brought great changes in Britain and Ireland, no less in Scotland than elswehere. The kingdom of Dál Riada was destroyed, certainly by the middle of the 9th century, when Ketil Flatnose is said to have founded the Kingdom of the Isles. Northumbria too succumbed to the Vikings, who founded the Kingdom of York. The kingdom of Strathclyde was also greatly affected. [33]

The king of Fortriu Eógan mac Óengusa, the king of Dál Riada Aed mac Boanta, and many more, were killed in a decisive battle against the Vikings in 839.[34] The rise of Cínaed mac Ailpín (Kenneth MacAlpin) in the 840s, in the aftermath of this disaster, brought to power the family who would preside over the last days of the Pictish kingdom and found the new kingdom of Alba, although Cínaed himself was never other than king of the Picts.

In the reign of Cínaed's grandson, Caustantín mac Áeda (900-943), the kingdom of the Picts seems to have become the kingdom of Alba. The change from Pictland to Alba may not have been noticeable at first; indeed, as we do not know the Pictish name for their land, it may not have been a change at all. The Picts, and the Pictish language which marked them out, did not disappear suddenly after the change, if change it was, but the process of Gaelicisation which had been ongoing for centuries carried on under Caustantín and his successors. When the last Picts had become Gaels, and Scots, the Picts were soon forgotten. Later they would reappear in myth and legend.[35]

Pictish Kings and Kingdoms

The early history of Pictland is, as has been said, obscure. In later periods multiple kings existed, ruling over separate kingdoms, with one king, sometimes two, more or less dominating their lesser neighbours.[36] De Situ Albanie, a late document, the Pictish Chronicle, the Duan Albanach, along with Irish legends, have been used to argue the existence of seven Pictish kingdoms. These are as follows, those in bold are known to have had kings, or are otherwise attested in the Pictish period:

  • Cait — situated in modern Caithness and Sutherland
  • Ce — situated in modern Mar and Buchan
  • Circinn — perhaps situated in modern Angus and the Mearns[37]
  • Fib — the modern Fife, known to this day as 'the Kingdom of Fife'
  • Fidach — location unknown
  • Fotla — modern Atholl (Ath-Fotla)[38]
  • Fortriu — cognate with the Verturiones of the Romans; recently shown to be centered around Moray[39]

More small kingdoms may have existed. Some evidence suggest that a Pictish kingdom also existed in Orkney.[40] De Situ Albanie is not the most reliable of sources, and the number of kingdoms, one for each of the seven sons of Cruithne, the eponymous founder of the Picts, may well be grounds enough for disbelief.[41] Regardless of the exact number of kingdoms and their names, the Pictish nation was not a united one.

For most of Pictish recorded history the kingdom of Fortriu appears dominant, so much so that king of Fortriu and king of the Picts may mean one and the same thing in the annals. This was previously thought to lie in the area around Perth and the southern Strathearn, whereas recent work has convinced those working in the field that Moray (a name referring to a very much larger area in the High Middle Ages than that of the traditional county of Moray), should be seen as the core of Fortriu.[42]

The Picts are often said to have practised matrilineal succession on the basis of Irish legends and a statement in Bede's history. In fact, Bede merely says that the Picts used matrilineal succession in exceptional cases.[43] The kings of the Picts when Bede was writing were Bridei and Nechtan, sons of Der Ilei, who indeed claimed the throne through their mother Der Ilei, daughter of an earlier Pictish king.[44]

In Ireland, kings were expected to come from among those who had a great-grandfather who had been king.[45] Kingly fathers were not frequently succeeded by their sons, not because the Picts practised matrilineal succession, but because they were usually followed by their brothers or cousins, more likely to be experienced men with the authority and the support necessary to be king.[46]

Language

The Pictish language does not survive. Evidence is limited to place names and to the names of people found on monuments and the contemporary records. The "problem" of the Pictish language was largely solved in 1582, by humanist scholar, and native Gaelic-speaker, George Buchanan, who expressed the view that Pictish was similar to Gaelic. The rest is postscript.[47]

The evidence of placenames and personal names argue strongly that the Picts spoke Insular Celtic languages related to the more southerly Brythonic languages.[48] Columba, a Gael, needed an interpreter in Pictland, and Bede claimed that the Picts spoke a different language from the Britons, statements which say nothing about the nature of the Pictish language. It has been argued, with more force than utility, than one or more non-Indo-European languages survived in Pictland, an argument based on limited negative evidence and the long discarded view that languages and material cultures can spread only through invasion and migration.[49]

The absence of surviving written material in Pictish does not mean a pre-literate society. The church certainly required literacy, and could not function without copyists to produce liturgical documents. Pictish iconography shows books being read, and carried, and its naturalistic style gives every reason to suppose that such images were of real life. Literacy was not widespread, but among the senior clergy, and in monasteries, it will have been common enough.[50]

Placenames often allow us to deduce the existence of historic Pictish settlements in Scotland. Those prefixed with "Aber-", "Lhan-", "Pit-" or "Fin-" indicate regions inhabited by Picts in the past (for example: Aberdeen, Lhanbryde, Pitmedden, Pittodrie, Findochty, etc). Some of these, such as "Pit-" (portion, share) were formed after Pictish times, and may refer to previous "shires" or "thanages".[51]

The evidence of place names may also reveal the advance of Gaelic into Pictland. As noted, Atholl, meaning New Ireland, is attested in the early 8th century. This may be an indication of the advance of Gaelic. Fortriu also contains placenames suggesting Gaelic settlement, or Gaelic influences, and ties of the Eoganacht to Circinn are [52]

Legends of the "Painted People"

Popular etymology has long interpreted the name Pict as if it derived from the Latin the word Picti meaning "painted folk" or possibly "tattooed ones"; and this may relate to the Welsh word Pryd meaning "to mark" or "to draw". Julius Caesar, who never went near Pictland, mentions the British Celtic custom of body painting in Book V of his Gallic Wars, stating

Omnes vero se Britanni vitro inficiunt, quod caeruleum efficit colorem, atque hoc horridiores sunt in pugna aspectu,

which means

In fact all Britanni stain themselves with vitrum, which produces a dark blue colour, and by this means they are more terrifying to face in battle.

The phrase vitro inficiunt is traditionally translated as "stain with woad", but could as well have meant “infect with glass”-describing a scarification ritual which left dark blue scars-or “dye with glaze”, forming a direct reference to tattooing. Subsequent commentators may have displaced the 1st-century BC southern practices (of the Brittani, a tribe south of the Thames) to the northern peoples in an attempt to explain the name Picti, which came into use only in the 3rd century AD. Julius Caesar himself, commenting in his Gallic Wars on the tribes from the areas where Picts (later) lived, states that they have “designs carved into their faces by iron”.

If they used woad, then it probably penetrated under the skin as a tattoo, but there is some recent controversy over this as the woad damages the skin to produce scar tissue, but the blue colour is lost. More likely, the Celts used copper for blue tattoos (they had plenty of it) and soot-ash carbon for black. Further study of bog bodies may provide more information on the specific tattooing techniques (if any) used by the Picts.

Notes

  1. ^ Pict first appears in a panegyric written by Eumenius in AD 297. Although Picti is usually taken to mean painted or tattooed in Latin, the term may have a Celtic origin, e.g. the Pictones of the Loire.
  2. ^ Presumably from Proto-Celtic *kwriteno-toutā.
  3. ^ The cruithni are discussed by Byrne, Irish Kings and High-Kings, pp. 106–109, Ó Cróinín, Early Medieval Ireland, pp. 48–50.
  4. ^ Welsh name ref wanting, someone must know what it means. Designs ?
  5. ^ e.g. The Anglo-Saxon Chronicle gives pihtas and pehtas.
  6. ^ Sources for Pictish history include Irish Annals - the Annals of Ulster, Tigernach, Innisfallen, Ireland (the Four Masters), and Clonmacnoise all report events in Scotland, some frequently; the Lebor Bretnach, Scottish recension of the Historia Britonum of Nennius; the history and continuatation of Bede; the Historia Regum Anglorum of Symeon of Durham; the Annales Cambriae; Saints' lives; and others.
  7. ^ See, e.g. Campbell, Saints and Sea-kings for the Gaels of Dál Riada, Lowe, Angels, Fools and Tyrants for Britons and Anglians.
  8. ^ Celtic is a word with many meanings, and may itself be unhelpful if overused.
  9. ^ Foster, Picts, Gaels and Scots, pp. 49–61.
  10. ^ The interior of the fort at Burghead was some 12 acres (5 hectares) in size, see Driscoll, "Burghead"; for Verlamion (later Roman Verulamium), a southern British settlement on a very much larger scale, see e.g. Pryor, Britain AD, pp. 64–70.
  11. ^ Dennison, "Urban settlement: medieval".
  12. ^ Foster, Picts, Gaels and Scots, pp. 52–53.
  13. ^ Trade, see Foster, Picts, Gaels and Scots, pp. 65–68; seafaring in general, e.g. Haywood, Dark Age Naval Power, Rodger, Safeguard of the Sea.
  14. ^ Armit, Towers In The North, chapter 7.
  15. ^ Crone, "Crannogs and Chronologies", PSAS, vol. 123, pp. 245–254.
  16. ^ Foster, Picts, Gaels and Scots, pp. 52–61.
  17. ^ See Broun, "Nechtan mac Der Ilei", Foster, Picts, Gaels and Scots, p. 89.
  18. ^ For art in general see Foster, Picts, Gaels and Scots, pp. 26–28, Laing & Laing, p. 89ff., Ritchie, "Picto-Celtic Culture"; Irish poets' view, see Forsyth, "Evidence of a lost Pictish Source", pp. 27–28.
  19. ^ Clancy, "'Nennian recension'", pp. 95–96, Smyth, Warlords and Holy Men, pp. 82–83.
  20. ^ Markus, "Conversion to Christianity".
  21. ^ Mentioned by Foster, but more information is available from the Tarbat Discovery Programme: see under External links.
  22. ^ Broun, Nechtan mac Der Ilei, Bede, IV, cc. 21–22.
  23. ^ See the discussion of the creation of the Franks in Geary, Before France, chapter 2.
  24. ^ e.g. by Tacitus, Ptolemy, and as the Dicalydonii by X, Y.
  25. ^ Ptolemy, X, Y
  26. ^ Caledonii is attested from a grave marker in Roman Britain, see X.
  27. ^ refs Dal Riada
  28. ^ For the kingdoms of Bernicia, and Northumbria, see e.g. Higham, The Kingdom of Northumbria.
  29. ^ Need to add ref or Dunnichen and Bridei articles sufficient ?
  30. ^ Broun, "Pictish Kings", attempts to reconstruct the confused late history of Dál Riada. The silence in the Irish Annals is ignored by Bannerman in "The Scottish Takeover of Pictland and the relics of Columba".
  31. ^ After Broun, "Pictish Kings".
  32. ^ Cf. the failed attempts by Óengus mac Fergusa.
  33. ^ Is something needed on the Vikings ?
  34. ^ Annals of Ulster (s.a. 839): "The (Vikings) won a battle against the men of Fortriu, and Eóganán son of Aengus, Bran son of Óengus, Aed son of Boanta, and others almost innumerable fell there."
  35. ^ Broun, "Dunkeld", Broun, "National Identity", Forsyth, "Scotland to 1100", pp. 28–32, Woolf, "Constantine II"; cf. Bannerman, "Scottish Takeover", passim, representing the "traditional" view.
  36. ^ Broun, "Kingship", for Ireland see, e.g. Byrne, Irish Kings and High-Kings, and more generally Ó Cróinín, Early Medieval Ireland.
  37. ^ Forsyth, "Lost Pictish Source", Watson, Celtic Place Names, page wanting.
  38. ^ Bruford, "What happened to the Caledonians", Watson, Celtic Place Names, page wanting.
  39. ^ Woolf, "Dun Nechtain"; cf. earlier works, e.g. Foster, Picts, Gaels and Scots, p. 33.
  40. ^ Adomnán, "Life of Columba", tr. & ed. notes on pp. 342–343.
  41. ^ Broun, "Seven Kingdoms".
  42. ^ Woolf, "Dun Nechtain".
  43. ^ Bede, I, c. 1
  44. ^ Clancy, "Nechtan son of Derile".
  45. ^ Byrne, Irish Kings and High-Kings, pp. 35–41 & pp. 122–123, also p. 108 & p. 287, stating that derbfhine was practised by the cruithni Ulster.
  46. ^ Byrne, Irish Kings and High-Kings, p. 35, "Elder for kin, worth for rulership, wisdom for the church." See also Foster, Picts, Gaels and Scots, pp. 32–34, Smyth, Warlords and Holy Men, p. 67ff.
  47. ^ This may be something of an oversimplification. Forsyth, Language in Pictland, offers a short account of the debate. Cowan, "Invention of Celtic Scotland" may be helpful for a broader view.
  48. ^ Forsyth, Language in Pictland, Price "Pictish", Taylor, "Place names", Watson, Celtic Place Names. For K.H. Jackson's views, see "The Language of the Picts" in Wainright (ed.) The Problem of the Picts.
  49. ^ Forsyth, Language in Pictland; the relationship between Basque and Pictish theorised by Federico Krutwig, lacks support in English-language publications. The website of Gorka J. Palazio presents some of Krutwig's ideas in English.
  50. ^ Forsyth, "Literacy in Pictland".
  51. ^ For place names in general, see Watson, Celtic Place Names, for shires/thanages see Barrow, "Pre-Feudal Scotland."
  52. ^ Watson, Celtic Place Names, page numbers wanting.

References

Further reading

Foster (2004) is considerably revised from the 1996 edition, and offers the most complete introduction to the subject. The articles in Lynch (2001) will be useful, but this is not referenced and may be best read in conjunction with another work. Laing & Laing (2001) provides good coverage of Pictish art, but is not well illustrated and otherwise outdated. Cummins (1999) attempts a narrative, with mixed success. Smyth (1984) makes some interesting points, but may not be a suitable introduction. The relevant works in the new Edinburgh history of Scotland - Fraser, From Caledonia to Pictland, and Woolf, From Pictland to Alba - are expected in 2007–2008.

External links

See also